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Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug
by John Kelman
Author's Note: Jan Erik Kongshaug, owner and recording engineer at Rainbow Studios, Oslo, passed away on November 5, 2019. Beyond his best-known work on hundreds of recordings for the lauded ECM Records label in collaboration with label head/producer Manfred Eicher, Kongshaug's studio and engineering, mixing and mastering work has garnered significant international acclaim. Still, Rainbow continues ...
Ruslan Sirota: A Lifetime Away
by Mackenzie Horne
The Ruslan Sirota who engineered A Lifetime Away (Ruslan Sirota, 2019) has been years in the making. Sirota, who tends to view growth in terms of saying the most with the least, has developed an objective sophistication since the release of his self-titled debut record in 2011. More unified in mind and spirit, he has manifested ...
Charles Lloyd Quartet: Montreux Jazz Festival 1967
by Chris May
2018 and 2019 have seen more than one release of newly discovered material by jazz icons which have been hyped as masterpieces by the record label, but proven to be underwhelming on investigation, no more than marginally interesting artefacts for anyone other than completists and the star-struck. The John Coltrane albums Both Directions At Once: The ...
Marcus Roberts And The Modern Jazz Generation At The Kimmel Center
by Victor L. Schermer
Marcus Roberts and the Modern Jazz Generation Kimmel Center for the Performing Arts Perelman Theater Philadelphia, PA October 11, 2019 Marcus Roberts is one of the great jazz pianists of his generation, coming up in the 1980s in Wynton Marsalis' band and since then more ...
Dan McCarthy: City Abstract
by Dan Bilawsky
The concept of homecoming is inextricably linked to the music that Dan McCarthy presents on City Abstract. Recorded in May of 2019, shortly after he had returned to his native Toronto after fifteen years in New York, this date finds the vibraphonist bowing to two of his biggest influences: pianist Carla Bley and vibraphonist Gary Burton. ...
Keith Jarrett: Munich 2016
by Karl Ackermann
The second coming of Keith Jarrettpost-Chronic Fatigue Syndromewas well behind him by the time he performed in Munich, Germany in 2016. The piano prodigy is captured in ECM's home town at a Philharmonic Hall solo concert at the end of his European tour. His improvisational skills in top form, he displays his genius across twelve extemporaneous ...
4 Wheel Drive at Hong Kong Arts Centre
by Rob Garratt
4 Wheel Drive Quartet Hong Kong Arts Centre Jazz World Live Series Hong Kong September 3, 2019 When exactly did jazz artists covering pop music shift from being a cheap and/or tweebut near-universally frowned-uponnovelty, to an almost obligatory rite of passage? Some will point to the pioneering piano ...
Abdullah Ibrahim: Dream Time
by Chris May
Stream-of-consciousness solo-piano recitals come in as many shades as jazz itself. At one extreme are Keith Jarrett's messianic epics. At another are Abdullah Ibrahim's less flashy but deeper outings. Ibrahim's style is about substance, space and subtlety. He says more by doing less. Duke Ellington and Thelonious Monk, after all, were his formative influences.
Steve Khan: Patchwork
by John Kelman
Amongst the many myths out there about music-makingespecially in jazz, where the improvisation quotient is often so highis that composing may, indeed, be work, but doesn't require the kind of relentless attention to detail that far more truthfully defines how many artists write and arrange their music. These days, one need only look to music by ...
Petter Bergander Trio: Kierkegaard's Waltz
by Chris Mosey
The honouring in popular song of Sören Kierkegaard, author of The Sickness Unto Death" and other light works has been a long time coming. To be exact, we've waited since his death in 1855 for this moment. Heidegger's Boogie" and The Schopenhauer Rag" must surely follow. The curious thing is that Kierkegaard's Waltz is an album ...


