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Riccardo Arrighini: Cambio di Marcia
by Thomas Conrad
The first time I heard Riccardo Arrighini was at the Umbria Jazz Melbourne festival in Australia in May of 2005. It seems odd, as I look back on it, that I barely noticed him at the festival. The explanation is not that there were other, more famous Italian piano players there, like Stefano Bollani and Danilo ...
Charles Lloyd: Defiant Warrior Still On Song
by Chris May
As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...
A Conversation with Brad Mehldau
by AAJ Staff
This article was first published at All About Jazz in 2002. All About Jazz: Do you recall your first jazz record? Brad Mehldau: I think the first real jazz record I listened to was an Oscar Peterson and Joe Pass duo album, one of those Pablo things. A friend of my father's ...
Joey Alexander Trio at Chris’ Jazz Café
by Victor L. Schermer
Joey Alexander Trio Chris' Jazz Café Philadelphia, PA March 8, 2024 All musical genres, and specifically jazz, have produced any number of musicians who blossomed in childhood and already in their teens were performing and competitive with the masters. The greatest historical example of course was Wolfgang Amadeus ...
Ken Vandermark’s Edition Redux at BOP STOP at The Music Settlement
by John Chacona
Ken Vandermark's Edition Redux BOP STOP at The Music Settlement Cleveland, OH February 27, 2024 Every jazz concert brings an experience that you've never had before and likely weren't expecting. In the case of the Cleveland concert by protean saxophonist Ken Vandermark's Edition Redux, the source was a new Apple Watch ...
What was the most memorable jazz concert you attended?
by Chris May
If you are an AAJer, you will almost certainly have some live performances filed under magic moments. My first came in 1966 when I saw Charles Lloyd at the Juan-Les-Pins Jazz Festival in Antibes, France. At the time I knew Lloyd only through his recorded work with Chico Hamilton's group and nothing had prepared me for ...
Keith Jarrett's European Quartet: Innocence
by Scott Lichtman
It just so happens that two of the most poignant jazz ballads--in my opinion--were released in the same year. I'm not talking about throw-back masterpieces, such as Thelonious Monk's “Round Midnight" or Horace Silver's “Lonely Woman." Rather, they are Keith Jarrett's “Innocence" and Egberto Gismonti's “Palhaço," both originally issued in 1980. What makes these pieces stand ...
Francois Carrier Ensemble featuring Mat Maneri /Tomasz Stańko / Gary Peacock / Michel Lambert: Openness
by Mark Corroto
Openness waited nearly two decades on a shelf (ok, probably on a hard drive) before being released for our listening pleasure. Recorded on May 5 & 6, 2006 at the Théâtre La Chapelle in Montréal, Canada, these three precious discs document a meeting between Canadian saxophonist François Carrier and Polish trumpeter Tomasz Stańko. It is the ...
Elan Mehler: Trouble In Mind
by John Chacona
There's a scene in Michael Cimino's 1978 film The Deer Hunter where five friends celebrate a successful hunt at the bar owned by their older companion. The mood is celebratory, but as John (George Dzundza), the bar's owner, sits down at the piano to play Chopin's G-Minor Nocturne, the room grows quiet. Three of the younger ...
A Classic Jazz Curriculum with Label M's Joel Dorn
by Chris M. Slawecki
This article was first published at All About Jazz in April 2001. Ah, the classics. In every art form painting, literature, architecture, dance, music there are works which possess timeless beauty, works with themes that resonate emotionally across decades, through centuries, and are masterfully presented. Joel Dorn's name is indelibly written in ...
