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330

Article: Album Review

Cannonball Adderley with Milt Jackson: Things Are Getting Better

Read "Things Are Getting Better" reviewed by David Rickert


Despite the title, with a lineup like this, it’s hard to believe that things could get any better. The obvious attraction is the chance to see two gifted improvisers in Adderley and Jackson trade licks, and the results sure don’t disappoint. The format is familiar; mostly a selection of blues, soul, and standard tunes played with ...

134

Article: Album Review

Cannonball Adderley/George Shearing: Quintets At Newport

Read "Quintets At Newport" reviewed by David Rickert


The 1957 Newport Jazz Festival must have been hopping; this is the second reissue in a year to pair two performances from that event (Verve released a Cecil Taylor/ Gigi Gryce & Donald Byrd set as part of their mini-LP series). The first performance comes courtesy of Cannonball Adderley, who had yet to make a name ...

374

Article: Album Review

Cannonball Adderley: Cannonball Takes Charge

Read "Cannonball Takes Charge" reviewed by Robert Gilbert


The recording of Cannonball Takes Charge was sandwiched in between two events that would help earn Cannonball Adderley a permanent place in jazz lore. Just the day before the album’s first session, he participated in the completion of Miles Davis’s seminal Kind of Blue. Five months after Cannonball Takes Charge was finished, he had Riverside producer ...

374

Article: Album Review

Cannonball Adderley: Radio Nights

Read "Radio Nights" reviewed by Jim Santella


Radio broadcasts from The Half Note in New York during the last week of 1967 and the first week of 1968 make up the set of distinctive material on Radio Nights. The live audience reaction puts the listener right there, to share in each exciting moment. Cannonball Adderley was at his best, and the ensembles remained ...

461

Article: Album Review

Cannonball Adderley: The Definitive Cannonball Adderley

Read "The Definitive Cannonball Adderley" reviewed by Jim Santella


Recorded between February 1957 and August 1971 and featuring Cannonball Adderley in various contexts, Blue Note’s definitive collection touches upon all the high points of a memorable career. The alto saxophonist influenced thousands of followers. His collaborations with his brother Nat, leader Miles Davis and arranger Gil Evans made unforgettable music. Cannonball Adderley brought the blues ...

267

Article: Album Review

Cannonball Adderley: Know What I Mean?

Read "Know What I Mean?" reviewed by David Rickert


It must have seemed like a winning combination at the time; Evans and Addereley, two contributors to the Kind Of Blue album, paired with the bassist and drummer from the Modern Jazz Quartet. Unfortunately the results are less than stellar, resulting in a merely good album instead of a classic one. In actuality Evans and Adderley, ...

278

Article: Album Review

Cannonball Adderley: Cannonball Adderley and the Poll-Winners

Read "Cannonball Adderley and the Poll-Winners" reviewed by C. Andrew Hovan


When surveying the vast catalog of work left for us by alto star and entertainer Cannonball Adderley, for sheer diversity of personnel, approaches, and excellence in writing, the Riverside period of the late '50s and early '60s remains a watermark in the distinguished career of this jazz legend. For just two examples, contrast the understated beauty ...

305

Article: Album Review

Cannonball Adderley: Phenix

Read "Phenix" reviewed by Douglas Payne


Consider how fate portions what it takes and what it gives. Cannonball Adderley's death by stroke in August 1975 robbed music of one of the most distinctive, dynamic and delightful sounds ever known to jazz. But the big man built a considerable and hugely popular musical catalog over three decades and, on the very precipice of ...


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