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Jim Hall: Live!
by Joshua Weiner
Jim Hall is our greatest living jazz guitarist, and probably one of our greatest jazz musicians, regardless of instrument, to boot. So why, despite being widely acclaimed by jazz aficionados, is he not exactly a household name? It probably has to do with his innately self-effacing demeanor, both on and off the bandstand. Beginning in the ...
Cuckooland
by Joshua Weiner
The marriage of jazz and rock musical styles has had a checkered history. The late '60s records of Cannonball Adderley, Gary Burton, Tony Williams, and Miles Davis stretched the boundaries of jazz music while successfully bringing it to a broad young audience. The later development of Fusion with a capital “F" by Mahavishnu Orchestra, Return To ...
Eliane Elias: Brazilian Classics
by Joshua Weiner
Now that longtime Blue Note pianist/singer Eliane Elias has left the label for RCA/Bluebird, several compilations of her work are being released, including the present item, Brazilian Classics. A cynic might note “just in time for Christmas,” but even if its release is motivated mainly by marketing concerns, the CD provides a useful, focused troll through ...
Rale Micic: Bridges
by Joshua Weiner
Although jazz is, in several respects, a truly American musical idiom, it has spread to the far reaches of the globe in the modern era. This dissemination has led to the appearance of excellent jazz musicians in unexpected places, and the Serbian-born guitarist Rale Micic (pronounced 'Rah-leh Mee-cheech') is a fine example. His first-rate debut album, ...
Phil Woods: Phil Woods and his European Rhythm Machine at the Montreux Jazz Festival
by Joshua Weiner
The consolidation of many record companies into a few mega-conglomerates worries a lot of music lovers, and there is certainly a danger of homogenization to a degree even greater than that already extant. There are up sides, however, and Verve Music Group/Universal’s recent spate of LP reproduction reissues is one. The acquisition of the catalogs of ...
Achille Gajo Trio: Blue Sand
by Joshua Weiner
As enjoyable as it is to encounter a new recording by a long-established artist, even greater pleasure can be found in the discovery of an outstanding lesser-known talent. Such is the case with Blue Sand, the new release by Italian-born, Paris-based pianist Achille Gajo and his trio. Gajo's compatriots include bassist Jean-Jacques Avenel and drummer John ...
Dorothy Ashby: Afro-Harping
by Joshua Weiner
Cue up “Soul Vibrations,” the first track on Verve’s reissue of Dorothy Ashby’s Afro Harping, and revel: a one-note syncopated bass line over a slamming drumbeat that you’re sure you’ve heard sampled somewhere. Enter the double-tracked theremins, followed by swoopy strings. Next, over the relentless beat, an echo-plexed harp solo by Ashby, during which the strings ...
Marc Mommaas: Global Motion
by Joshua Weiner
A note to ECM label head Manfred Eicher: I've got a new artist for your stable. His name is Marc Mommaas, a Dutch tenor saxophonist living in NYC, and he's just released a fine album on Sunnyside, Global Motion. The album features the Global Motion Trio, including pianist Nikolaj Hess and bassist John Hebert, ...
Joe Lovano: On This Day... At The Vanguard
by Joshua Weiner
"Ah, they don't make records like this anymore," you might find yourself sighing upon first hearing On This Day At The Vanguard. But look at the liner notes: the artist is Joe Lovano, and this fantastic album was recorded live at the Village Vanguard in September of 2002. This is the same nonet with ...
Jimmy Giuffre 3: The Easy Way
by Joshua Weiner
Jimmy Giuffre's jazz has got to be among the sparsest ever laid down; you can see a whole lot of daylight between the notes. But the sketch-like quality of his music belies a quiet intensity that has an almost hypnotic attraction. This is not jazz that jumps out at you and grabs you by the lapels. ...
