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Video

Hejira

Featuring the music of Joni Mitchell
Duration: 7:00

Title track of her album Hejira, an album of brilliance that also features Jaco Pastorius. It is also a favorite album of Sheryl Crow. Simon J Harper
151

Article: Album Review

Natalie John: Unveiled

Read "Unveiled" reviewed by C. Michael Bailey


Listening to Natalie John's Unveiled is a jarring, almost alarming experience. It is comparable to a first listen to Tony William's Emergency (Polydor, 1969), or Miles Davis on the verge, with his “Lost Quintet" (Chick Corea, Dave Holland, Jack DeJohnette, and Wayne Shorter), on the recently uncovered It's About That Time (Columbia, 2001). Those recordings presented ...

252

Article: Album Review

Scott Feiner: Accents

Read "Accents" reviewed by Dan Bilawsky


While drummer-leaders don't usually get enough credit, pandeiro-leaders usually don't exist. The pandeiro--a small, handheld instrument that marries that best traits of a deeper-sounding, jingle-less frame drum and a tambourine--is a staple of Brazilian percussion. When Scott Feiner first encountered the instrument, during his first trip to Brazil in 1999, he immediately took to it. In ...

177

Article: Album Review

Lauren Hooker: Life Of The Music

Read "Life Of The Music" reviewed by Dan Bilawsky


In 2007, vocalist Lauren Hooker turned out an impressive debut, Right Where I Belong (Musical Legends, Inc., 2007), which highlighted her solid, yet flexible, voice, and an ability to graft her own lyrics onto familiar instrumental jazz standards. Three years later, Hooker returns with a program that largely focuses on her own lyrics and music, demonstrating ...

745

Article: Old, New, Borrowed and Blue

Bob Dylan: The Bard Of Jazz

Read "Bob Dylan: The Bard Of Jazz" reviewed by Dan Bilawsky


Jazz and rock audiences, at their core, often expect two very different things when they attend a live performance. Jazz audiences thrive on the journey and in-the-moment magic that's created as a one-time-only occurrence, through a partially improvised art. Rock audiences, by and large, prefer to hear it like it sounds on the record. Jazz artists ...

1,958

Article: Live Review

Punkt Festival 2010

Read "Punkt Festival 2010" reviewed by John Kelman


The trials and tribulations of international travel--flight delays, missing or damaged baggage, and increasing limitations on said baggage--can be enough to frustrate even the most patient and seasoned world traveler. But despite an almost incredible confluence of problems flying to Kristiansand, Norway, for Punkt 2010, once there all such problems were forgotten. Punkt is simply too ...

183

Article: Album Review

Unni Wilhelmsen: 7

Read "7" reviewed by John Kelman


She may be less known on an international level, but Unni Wilhelmsen is something of a star in her own country, with her 1997 debut going gold and winning two Norwegian Grammy Awards ("Best Female Artist of the Year," “Best Album of the Year"). Not bad for a singer/songwriter who began playing guitar at the age ...

876

Article: Extended Analysis

Peter Sprague: Calling Me Home

Read "Peter Sprague: Calling Me Home" reviewed by Robert Bush


Peter SpragueCalling Me HomeSBE Records2010In his varied, 30 year career, guitarist and composer Peter Sprague has always shown an affinity for vocalists. On Calling Me Home, this affinity is expanded to its logical conclusion. The disc features vocals on every tune and draws from a deep talent pool ...

223

Article: Album Review

Laurie Antonioli: American Dreams

Read "American Dreams" reviewed by Dan McClenaghan


In order to have specifically American Dreams, exile may be necessary. An extended stay in a foreign country lends a certain detached perspective on the homeland. For returning San Francisco-based jazz vocalist Laurie Antonioli, that foreign stay was in Graz, Austria, at KUG University, where she taught vocal jazz from 2002 until 2006.A fortuitous ...

203

Article: Album Review

Laurie Antonioli: American Dreams

Read "American Dreams" reviewed by Raul d'Gama Rose


The remarkable ingenuity of Laurie Antonioli's voice is owed, not just to the impossible range--some three octaves--but to vocalist's breathtaking ability to find the hidden quarter tones that sound between the so-called right ones. In suggesting that these notes she sings are “wrong," the idea of a Thelonious Monk-like reality emerges in Antonioli's singing. The elemental ...


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