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Take Five With Neil Alexander
by AAJ Staff
Meet Neil Alexander: Jazz musician Neil Alexander was performing, composing and arranging by age 14. In 2007 he released Tugging At The Infinite, his fourth CD with his contemporary electric/acoustic jazz ensemble NAIL. As well as managing his own electric and acoustic ensembles, he does sessions as both player and programmer, and works ...
Lauren Hooker: Life Of The Music
by Bruce Lindsay
Singer and pianist Lauren Hooker takes chances on Life Of The Music, her second album. She sets her own compositions up against classics of American music, re-works old favourites and uses some vocal shifts and inflections that other singers might think twice about. And thank goodness she does, because in doing so Hooker has assembled a ...
Neil Young and the 2010 Bridge School Benefit
by Lloyd N. Peterson Jr.
The Bridge School Benefit has become one of America's most anticipated annual musical events. Promoted by Pegi and Neil Young, to assist children with severe physical impairments and complex communication needs, this year's two day benefit promised to be one of the most remarkable of its 24 year history. With the first reunion of Buffalo Springfield ...
Danielle Eva: Road And Moon
by Dan Bilawsky
What do you get when you mix one part Lizz Wright, one part Alyssa Graham and a dash of Chiara Civello? The answer is vocalist Danielle Eva. Eva's music could be characterized as roots-infused jazz with a pop spin on the production, but plenty of other influences seep into the mix. A large cast of musicians ...
Danielle Eva: Road and Moon
by C. Michael Bailey
Danielle Eva emerges a fully formed jazz vocalist on her debut, Road and Moon (Devour Music, 2010). She has assimilated the influences of the finest jazz vocal talent of the last 20 years: Cassandra Wilson, Cheryl Bentyne, Tierney Sutton, Karrin Allyson, and nominally, Norah Jones. Drawing equally from Wilson's organic approach, Allyson's timbre-perfect pitch, and Jones' ...
Hejira
Featuring the music of Joni Mitchell
Duration: 7:00
Natalie John: Unveiled
by C. Michael Bailey
Listening to Natalie John's Unveiled is a jarring, almost alarming experience. It is comparable to a first listen to Tony William's Emergency (Polydor, 1969), or Miles Davis on the verge, with his “Lost Quintet" (Chick Corea, Dave Holland, Jack DeJohnette, and Wayne Shorter), on the recently uncovered It's About That Time (Columbia, 2001). Those recordings presented ...
Scott Feiner: Accents
by Dan Bilawsky
While drummer-leaders don't usually get enough credit, pandeiro-leaders usually don't exist. The pandeiro--a small, handheld instrument that marries that best traits of a deeper-sounding, jingle-less frame drum and a tambourine--is a staple of Brazilian percussion. When Scott Feiner first encountered the instrument, during his first trip to Brazil in 1999, he immediately took to it. In ...
Lauren Hooker: Life Of The Music
by Dan Bilawsky
In 2007, vocalist Lauren Hooker turned out an impressive debut, Right Where I Belong (Musical Legends, Inc., 2007), which highlighted her solid, yet flexible, voice, and an ability to graft her own lyrics onto familiar instrumental jazz standards. Three years later, Hooker returns with a program that largely focuses on her own lyrics and music, demonstrating ...
Bob Dylan: The Bard Of Jazz
by Dan Bilawsky
Jazz and rock audiences, at their core, often expect two very different things when they attend a live performance. Jazz audiences thrive on the journey and in-the-moment magic that's created as a one-time-only occurrence, through a partially improvised art. Rock audiences, by and large, prefer to hear it like it sounds on the record. Jazz artists ...
