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Jazz on Film: Beat, Square & Cool
by Skip Heller
Again presenting eight film scores spread across five discs, packaged in a gorgeous box and enclosed with a beautifully illustrated and comprehensively notated booklet, the Moochin' About staff (who are also the force behind the excellent British magazine Jazzwise) have returned with their second installment of noir and near-noir jazz movie music. As with their previous ...
All That Jazz Month: Phoenix, AZ, November 9-30, 2012
by Patricia Myers
All That Jazz MonthMusical Instrument MuseumPhoenix, AZNovember 9-30, 2012All That Jazz Month, in November 2012 at the Musical Instrument Museum (MIM), featured a star-studded concert series that included the saxophonist Branford Marsalis Quartet, vocalese masters Manhattan Transfer, DIVA Jazz Trio with saxophonist Grace Kelly, and a Django Reinhardt Tribute, all staged ...
Ellis Marsalis: New York City, NY, November 9, 2012
by Nick Catalano
Although pianist Ellis Marsalis has garnered countless plaudits for his teaching at the New Orleans Center for Creative Arts and as chair of the Jazz Studies department at the University of New Orleans he rarely gets critical notice in these parts for his pianism. For decades, he has shaped the lives of countless jazz musicians including ...
Jazz On Film... Beat, Square & Cool, Vol. 2 In The Highly Acclaimed Jazz On Film Box Set Series
Beat Square & Cool—the 2nd box set in the Jazz on Film series following last year’s Film Noir—is not just a collection containing some of the greatest jazz-inspired film scores ever recorded, but it also tells the story of how jazz (mostly drawing from the bebop that was one of the defining American subcultural and artistic ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Vivian Buczek: Live At The Palladium
by Bruce Lindsay
Swedish vocalist Vivian Buczek has been on the Scandinavian jazz scene for over a decade, releasing her first album, Can't We Be Friends (Skandia Music) in 2003. Live At The Palladium is her fourth solo album, though she's also recorded with the Artistry Jazz Group. The Palladium in question isn't the world- renowned London theatre, it's ...
Jamming For Dollars
by Bruce Klauber
The History, Care, Feeding and Booking of the Jazz Jam Session“Fusion and the new stuff? It doesn't offend me, but a lot of the soloists sort of sound alike, like they all learned the same licks from the same school. When I was coming up in the 1940s, it seemed that every corner bar had a ...
Johnny Mandel: 7 Tribute CDs
Yesterday, around 2 p.m., I became stuck on Cal Tjader's The Shining Sea, which was written by Johnny Mandel for The Russians Are Coming, The Russians Are Coming in 1966. The track features Scott Hamilton on tenor sax and is one of the most beautiful renditions of the song. Which made me realize there really aren't ...
Rebecca Sullivan & Mike Allemana: This Way, This Time
by C. Michael Bailey
The great composers of the jazz standard repertoire had lesser-known contemporaries whose work although of quality, inevitably did not garner the same attention. This body of somewhat unknown jazz compositions offers the up-and-coming jazz artist a wealth of material to choose from when trying to assemble that most important debut recording. Chicago-native vocalist ...
The "Desert Island" Revisited
by Jack Bowers
Back in the last millennium, shortly after this column first saw the light of day, I posted a list of twenty “desert island" albums, those that would be snugly ensconced in a crash-proof, water-tight carrying case should yours truly ever be marooned on a miniature atoll with nothing to relieve the boredom save palm trees, coconuts, ...
