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Niculin Janett Quartet Featuring Rich Perry: No Parking Any Time
by C. Michael Bailey
I was beginning to wonder if there were any “blowing sessions" recorded today that did not sound so blatantly contrived. From Berlin comes such a recording by Swiss alto saxophonist Niculin Janett and his quartet. No Parking Anytime features New York City tenor saxophonist Rich Perry, whose own recent Organique (Steeplechase, 2016), with Gary Versace (Hammond ...
Houston Person at Kiawah Island, South Carolina
by Rob Rosenblum
Houston Person Quartet Turtle Point Club House Kiawah Island Concert Series Kiawah Island January 8, 2017 No rough edges, no experimentation, music just as smooth as chocolate pudding. A perfectly molded musical travelogue down memory lane. Not a formula for a grand performance, but somehow tenor saxophonist Houston Person makes ...
Take Five with Tom Harrison
by AAJ Staff
Meet Tom Harrison: For alto saxophonist/composer Tom Harrison, the art of jazz is far more than mastery of the instrument, fluency in the repertoire and respect for the tradition. For Tom, the real undertaking is to connect with that which inspired the immortals of jazz, and to cultivate it within his own work. Born ...
Steve Messick: Endemic Ensemble: Tangled
by Paul Rauch
Veteran composer/bassist Steve Messick has brought back the eclectic group of musicians he formed in 2010, Endemic Ensemble, for a new album entitled Tangled. The session presents nine new compositions, three each from Messick, pianist David Franklin, and saxophonist Matso Limtiaco. The ensemble, rounded out by drummer Christian Krehbiel, and noted saxophonist Travis Ranney, have created ...
Duke Ellington & His Orchestra: Rotterdam 1969
by Jack Bowers
Here's a succulent and long-hidden treat for Duke Ellington aficionados: a wide-ranging and reasonably well-recorded concert performance by the Ellington orchestra from 1969 at the Do Doelen Concert Hall in Rotterdam, The Netherlands. Many of Ellington's tried-and-true favorites are here, along with a number of lesser-known themes such as tenor Paul Gonsalves' feature, “Up Jump"; “Come ...
The Virtues of Jazz
by Douglas Groothuis
Any jazz aficionado knows the musical virtues of jazz, whether they are a musician, a jazz writer, or simply a committed jazz listener. In classical Western thought (that is, in the musings of cats like as Aristotle and Plato), a virtue is a kind of excellence in performance that flows from a settled habit. One who ...
Duke Ellington And His Orchestra: Rotterdam 1969
by Chris Mosey
Right up to the end Duke Ellington maintained an ability to surprise lesser mortals with his impish wit. In 1969 he visited the White House to celebrate his 70th birthday and kissed President Richard Nixon on the cheek four times. When Nixon asked why four times, Ellington replied, “One for each cheek." Tricky ...
Art Pepper: Art Pepper Live at Fat Tuesday’s
by C. Michael Bailey
The discovery and release of Art Pepper Live at Fat Tuesday's is a surprising and welcome event that has some precedence in jazz reportage. “Art Pepper, 1926-1982" is a much anthologized obituary on Pepper by jazz writer Gary Giddins, originally published in his book Rhythm-a-ning (Da Capo Press, 1985) written shortly after the saxophonist's death. In ...
Duke Ellington And His Orchestra: The Treasury Shows, Vol 20
by Chris Mosey
What makes this album stand out among the welter of Treasury Show releases is that most of the tracks feature Oscar Pettiford on bass. Duke Ellington hired many excellent bass players but only two who were great. The first was Jimmy Blanton. In the short time he was with the band--from 1939-1941--he transformed ...
Ben Webster and Johnny Hodges
In the fall of 1960, Ben Webster was on the West Coast freelancing and recording. Johnny Hodges was out there as well with the Duke Ellington Orchestra to perform at the Monterey Jazz Festival. On Nov. 22, two days before Thanksgiving, Webster and Hodges were in San Francisco to record an album for the Verve label ...
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