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Matt Haimovitz: Rare Birds
by Ian Patterson
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. Challenge is something he's used to, ...
Wadada Leo Smith: The Teacher
by Franz A. Matzner
Wadada Leo Smith's career as a creative musician spans more than forty years. The trumpeter/composer's myriad accomplishments have been well-documented, particularly recently, as his recoding and performance career have undergone a marked renaissance, the success of which has shown a spotlight not only on his recent undertakings, but also inspired a reexamination of his past works. ...
Endangered Blood: Endangered Blood
by Mark Corroto
Endangered Blood formed in 2008, to play a benefit concert to help pay for fellow musician Andrew D'Angelo's medical bills. For the performance, drummer Jim Black and bassist Trevor Dunn--two of the saxophonist's band mates--enlisted saxophonists Chris Speed and Oscar Noriega. As happens so often in modern groups, familiar players in different combination produce compelling results.
Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011
by John Kelman
Polar Jazz / Arctic MoodLongyearbyen,Svalbard, Norway February 3-7, 2011 Flying into Longyearbyen is a surreal experience. It's a two-day trip from North America--one day to get to Oslo, Norway, and the second to make the final trek above the Arctic Circle to the islands of Svalbard, about halfway between the ...
Joan Jeanrenaud: The Beat of the Moment
by Anil Prasad
Playing it safe is a concept in which cellist Joan Jeanrenaud has total disinterest. Her deep, varied career reflects a restless creative spirit that most recently manifested itself on Pop-Pop (Deconet, 2010), her duo album with producer and percussionist PC Muñoz. The disc seamlessly blends cello, classical, electronica, and hip-hop influences. But, perhaps, the most important ...
Robin Holcomb: Distinctive Mysteries
by Gordon Marshall
Robin Holcomb's songs are knotty like tumbleweeds, braided like roads on maps along which tumbleweeds roll. She lays her songs down like baskets that have the rustic grace of birds' nests, always on the verge of promising a truth, but brimming with natural mysteries. Mysteries accrue, creating a keen urge to get at the kernel of ...
Liudas Mockunas / Ryoji Hojito: Vacation Music
by John Sharpe
Not as, might be suggested by the title, songs to put you in the holiday mood, but seven improvisations recorded by Lithuanian saxophonist Liudas Mockūnas and Japanese pianist Ryoji Hojito, while the latter was on vacation in Lithuania. The pair met during the course of Hojito's travels around the country and, without thinking too much, went ...
Microscopic Septet: Chance Meeting with the Future
by Gordon Marshall
The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...
Led Bib: It's Not Lady Gaga
by Bruce Lindsay
Led Bib: a short, sharp shock of a name for one of the hardest-hitting bands on the UK jazz scene. But the name doesn't tell the whole story, for this is also a band that's capable of inventive and intensely emotive music as well as the riff-laden numbers that have helped it to earn the label ...
Silent Movies
by Warren Allen
Amidst all the guitar heroes, face-melters and shred lords, Marc Ribot has risen to prominence as one of the more distinctive players. Well-versed in punk, New Orleans, soul-jazz, metal, down-home roots music, the avant-garde and just about everything else in the musical kitchen sink, Ribot taps into a brash mix of energy and humor that allows ...
