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Undead Music Festival, Greenwich Village Edition: New York, NY, May 9, 2012
by Daniel Lehner
Undead Music FestivalGreenwich Village EditionKenny's Castways, Sullivan Hall and Le Poisson RougeNew York, NYMay 9th, 2012Despite its constant and ambitious expansion into other geographic and spatial situations, the Undead Music Festival (formally the Undead Jazz Festival, a change that says more than a bit about the nature of the ...
John Zorn: Nosferatu
by Thomas Carroll
The idea of saxophonist/composer John Zorn writing music to accompany a production about vampires has exciting implications. After all, it would seem logical that a man who has, over the past 40 years, helped expand the scope of sounds that can be considered music should be able to craft something truly mind-bending when dealing with such ...
Elliott Sharp Trio: Aggregat
by Troy Collins
Long revered for his innovative approach to the electric guitar, composer Elliott Sharp's laudable but lesser known skills as a saxophonist finally come to the fore on Aggregat. Accompanied by bassist Brad Jones and drummer Ches Smith, Sharp performs on soprano and tenor saxophones, in addition to his main axe. In light of Sharp's oeuvre, this ...
May 2012
by Mr. P.C.
Dear Mr. P.C.: I am a jazz vocalist. When I am on a gig, is it OK to request that the bassist play arco on a solo, or should that be entirely up to his discretion? I hope you can help me. I don't want to make a dumb singer mistake here. ...
Jazzahead! 2012
by John Kelman
Jazzahead! 2012Bremen, GermanyApril 19-22, 2012 While folks around the world debate the future of jazz--and, for that matter, what exactly jazz is and even what it should be called--an annual trade show in Bremen, Germany, now in its fifth year, has managed to demonstrate that jazz as a brand may be facing ...
Jazz Punks: Smashups
by Jeff Dayton-Johnson
The conceit of the Los Angeleno Jazz Punks' debut is an appealing one: creative arrangements combining ("mashing up") really well-known jazz tunes ("Take The 'A' Train," “A Night In Tunisia," “Take Five") with really well known rock 'n' roll tunes ("Foxy Lady," “Should I Stay Or Should I Go?," “Misty Mountain Hop"). The jazz is mostly ...
John Zorn: Gnostic Preludes
by Nenad Georgievski
John ZornGnostic PreludesTzadik2012 Composer John Zorn is a man of many projects, genres and styles. When once asked about styles, in Option, he replied “I'm not afraid of styles; I like them all." He also has a short attention span and because of that his music is ...
Matthew Bourne: Montauk, Billy Moon and the Lost Pianos
by Bruce Lindsay
"I've accepted that I'm not a traditional composer who sits and scores things out, plays them, learns them. I just have a rough sense of something and go out and do it. It often ends up being completely different," says pianist, improviser and composer Matthew Bourne. It's a characteristically honest appraisal, but it fails to do ...
Philip Glass: Einstein on the Beach
by Nenad Georgievski
Philip GlassEinstein on the BeachNonesuch2012 (1993)Music has a tremendous ability to affect human emotions in a very inexplicable manner. It offers a way of communication rooted in emotions rather than in meaning. On the other hand, throughout the ages, music has never lacked controversy and has always been ...
Wadada Leo Smith's Mbira: Dark Lady of the Sonnets
by Eyal Hareuveni
Every few years master composer and trumpeter Wadada Leo Smith surprises with a new outfit that fits wonderfully in his rich and complex musical universe. The Mbira trio is no exception: a timeless, multidimensional trio, inspired by revered ancestors but with its course set for a possible future. In this trio, Smith contextualizes the spiritual veins ...
