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Two William Parker Trios
by Jerome Wilson
The prolific bassist and composer William Parker has been making music with groups of all sizes and configurations for decades, Here are two new releases featuring him in wildly divergent trios. William Parker Painters Winter AUM Fidelity 2021 On this CD Parker teams up with two long-time ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Julian Lage: Squint
by Mario Calvitti
Dopo aver scritturato negli scorsi anni due chitarristi di indubbio valore come Nels Cline e Bill Frisell, la Blue Note mette a segno un nuovo colpo assicurandosi i servigi di un altro virtuoso della sei corde, l'ex enfant prodige Julian Lage (che in realtà era già comparso in un titolo della label al fianco proprio di ...
Anna Webber: Idiom
by Mark Corroto
Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Extrema Ratio: A Dangerous Method
by Mark Corroto
In 1989, John Zorn, in the liner notes of Spy Vs Spy (Elektra), a cover album of Ornette Coleman compositions, thanked (among many) the bands Napalm Death, Blind Idiot God, and The Accused, before finishing with “Fucking hardcore rules. Smash racism." Zorn's music comes slamming back to mind with A Dangerous Method from Extrema Ratio, because ...
Moers Festival Interviews: Fred Frith
by Martin Longley
The Moers Festival in Germany celebrates its 50th anniversary during this year's edition, between 21st and 24th of May. The English guitarist Fred Frith was always a frequent player at this festival, particularly during the 1980s, whether with Massacre, Skeleton Crew or playing bass with John Zorn's Naked City. In comparatively more recent years, he appeared ...
Wadada Leo Smith with Milford Graves and Bill Laswell: Sacred Ceremonies
by Karl Ackermann
As he approached his eightieth birthday, Wadada Leo Smith could have been content to sit out the year of nothingness that Covid-19 brought in 2020 and beyond. With his 2013 Pulitzer Prize nomination, a 2016 Doris Duke Award, and nearly one-hundred recording credits, the trumpeter & multi-instrumentalist has landed at the top of countless polls throughout ...
Ben Sidran, There Was A Fire
by Angelo Leonardi
There Was a Fire-Jews Musica and the American Dream [Nuova edizione] Ben Sidran 404 pagine ISBN: # 978-0-578-77359-9 Nardis Books 2021 Esce in queste settimane negli Stati Uniti la nuova edizione—revisionata e aggiornata a tutto il 2020—del fondamentale volume di Ben Sidran del 2012, che delinea il contributo ...
Shelley Hirsch: Back with a Vengeance
by John Pietaro
It took Brooklyn's Roulette performance space to break COVID-19's hold on Shelley Hirsch. Now, it seems there'll be no stopping her. The vocal acrobat, poet and performance artist was a new music original long before “downtown" moved across the East River. An original member of the avant rock band The Public Servants, Hirsch also ...
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