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John Webber
For generations, the Midwest has been a fertile ground for producing talented jazz bass players. St. Louis native Jimmy Blanton revolutionized the role of the bass during his years with the Ellington band in the 1930s. Oklahoman Oscar Pettiford co-led the first bebop group (with Dizzy Gillespie) to play on New York City's famed 52nd St. And Ron Carter, born in Michigan, redefined the role of the bass in small group jazz during his tenure with the great Miles Davis Quintet of the 1960s. And while Bebop Generations bass player John Webber would modestly assert that he doesn't belong in the same league with legends such as Blanton, Pettiford and Carter, he is a prime example of the continuing stream of jazz musicians from the Midwest who have migrated to the jazz scene in New York — and who help keep it going strong as the center for jazz activity in the world. "I was actually born in St
The Iron Man: Live At Smoke
Label: Smoke Sessions Records
Released: 2019
Track listing: Disc 1: A Few Miles From Memphis; I Get A Kick Out of You; I Know That You Know; I Remember Clifford; T-Bomne
Steak; Almost Like Being in Love; Dear Lord.
Disc 2: Nightlife in Tokyo; She's Ou of My Life; How Insensitive; Mr. P.C.; On a Clear day (You Can See Forever); You Are
Too Beautiful; Rakin' and Scrapin'.
Harold Mabern: The Iron Man: Live At Smoke
by Mike Jurkovic
Hard-bopping pianist Harold Mabern may have made his recording debut in 1959 with drummer Walter Perkins' quintet and led his first session in 1968 for Blue Note on the soulful A Few Miles From Memphis but here he is, at 82, playing with straight-ahead, youthful joie de vivre on the story telling, life affirming, two-disc set ...
Out Of This World
Label: In Jazz We Trust Records
Released: 2018
Track listing: 1. Walk Spirit, Talk Spirit (McCoy Tyner)
2. Water On Mars (Valerio Pontrandolfo)
3. Out Of This World (H. Arlen, J. Mercer)
4. Blues For George (Valerio Pontrandolfo)
5. I See Your Face Before Me (A. Schwartz, H. Dietz)
6. Dreams (Valerio Pontrandolfo)
7. My Little Suede Shoes (Charlie Parker)
8. I Love Pan (David "Happy" Williams)
Eric Alexander: Song of No Regrets
by Peter J. Hoetjes
On Song of No Regrets, tenor saxophonist Eric Alexander decides to keep things fresh with a Latin beat and a couple unexpected guests. Having worked so prolifically for so long (he's got more than 160 recordings to his name both solo and as a sideman), it's inevitable that Alexander would have more than a few preferred ...
Eric Reed at Smoke Jazz & Supper Club
by Nick Catalano
Hard Bop continues to find a home in NY's Smoke Jazz & Supper Club. For decades the room featured One for All -a group whose stalwart players Eric Alexander, Steve Davis, David Hazeltine, John Webber, Jim Rotondi, and Joe Farnsworth had critics comparing them to Art Blakey's Jazz Messengers. These players often led smaller groups into ...
Alexis Cole with One For All: You'd Be So Nice To Come Home To
by Dan Bilawsky
Vocalist Alexis Cole hasn't found a setting or theme that doesn't suit her. Since arriving on the scene near the turn of the century she's covered a tremendous amount of ground and delivered a good number of well-conceived and beautifully executed albums. Cole teamed up with dozens of A-listers for a charitably-driven Christmas outing, explored the ...
Eric Alexander: Song of No Regrets
by Jack Bowers
Eric Alexander, who has been wielding as impressive a tenor saxophone as anyone on the scene for more than two decades, returns to the studio for what seems the umpteenth time with an abundant stockpile of point-blank pleasures on Song of No Regrets, an essentially Latin-grooved session that leaves room on the first two numbers for ...
Eric Reed Quartet, Henry Grimes and George Coleman Quartet
by Peter Jurew
Eric Reed Quartet SMOKE Jazz & Supper Club New York, NY October 2, 2016 The gifted pianist and composer Eric Reed plays at times with a lightning-quick, cat-like touch, at others with slow, deep resonance, lush and lyrical. He can change from one to the other in the ...
One for All: The Third Decade
by C. Andrew Hovan
Hard to believe it will be twenty years ago next year that the hard bop ensemble One For All debuted with Too Soon To Tell on the fledgling Sharp Nine label. Formed as a group that regularly played together at an uptown Broadway club called Augie's, each member was just at the start of their own ...
