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20

Article: Live Review

TD Ottawa Jazz Festival 2014, Days 7-9

Read "TD Ottawa Jazz Festival 2014, Days 7-9" reviewed by John Kelman


Days 1-2 | Days 4-6 | Days 7-9 Anat Fort / Susanna Torben Waldorff Wah Wah / Norma WInstone Partisans TD Ottawa Jazz Festival Ottawa, Canada June 20-July 1, 2014 For the last three days in Ottawa before heading to Montréal for five days of the Festival ...

6

Article: Take Five With...

Take Five With Jon Mapp

Read "Take Five With Jon Mapp" reviewed by AAJ Staff


Meet Jon Mapp: Jon Mapp sounds like no other bassist. He uses a bass guitar, a wooden box and a laptop to record layered pieces, creating music that is expressive, compelling and indelible. Jon is quickly emerging as a truly individual voice on the bass who is known for his unorthodox technique and creative approach ...

3

Article: Album Review

Håkon Storm: Fosfor

Read "Fosfor" reviewed by Eyal Hareuveni


Norwegian guitarist Håkon Storm's sixth album Fosfor features his artistic mastery of the solo guitar. Storm is a gifted storyteller. His evocative, melodious lines intensify the expressive, poetic playing style that is often exploratory, suggesting exotic soundscapes. Storm uses a variety of guitars that allow him to stress distinctive originality as a composer and improviser. The ...

4

Article: Album Review

Kenny Wheeler: Six for Six

Read "Six for Six" reviewed by Mario Calvitti


L'ultimo lavoro del grande musicista anglo-canadese Kenny Wheeler pubblicato dalla Cam Jazz in realtà non è il più recente, essendo stato registrato nel 2008. Ben prima dunque di The Long Waiting, realizzato qualche anno dopo con l'ausilio di una big band, con il quale condivide molti dei temi e dei musicisti impiegati. Il sestetto impiegato è ...

24

Article: Extended Analysis

Miroslav Vitous Group

Read "Miroslav Vitous Group" reviewed by John Kelman


With the ongoing demand for historic titles to see first-time CD issue, ECM has raised the ante even further with Re:solutions: seven classic recordings, released on CD (four available for the first time and one previously only available for a limited time in Japan), vinyl and high resolution digital formats. They're all important, but 1981's Miroslav ...

12

Article: Interview

Claudio Filippini: Facing North

Read "Claudio Filippini: Facing North" reviewed by Robin Arends


Pianist Claudio Filippini, born in Pescara in 1982, is one of the bright young stars of Italian jazz. With his album The Enchanted Garden (CAM Jazz, 2011) he was hailed as the new “wonder boy" of Italian jazz. Now he is regarded as a pianist/composer of international stature, with his album Facing North (CAM Jazz, 2013) ...

8

Article: Album Review

Norma Winstone: Edge of Time

Read "Edge of Time" reviewed by Roger Farbey


This reissue features many of the most significant musicians in British jazz of the late 1960s and 70s. It also benefits from imaginative compositions and arrangements by John Taylor, John Warren, Neil Ardley, John Surman and Norma Winstone herself. The opening, title track written by Taylor and Winstone is a memorable exploration ...

6

Article: Live Review

Scene Norway 2 at King's Place

Read "Scene Norway 2 at King's Place" reviewed by John Kelman


Scene Norway 2 Artist-in-Residence: Nils Petter Molvær King's Place, London, UK November 15-17, 2013 Walking into King's Place, in London, England, is an experience in itself. A building opened in 2008 near King's Cross station in downtown London, it was built with the kind of foresight that is rare these ...

6

Article: Profile

Julie Sassoon: Dancing in the Shadows

Read "Julie Sassoon: Dancing in the Shadows" reviewed by Duncan Heining


It's been seven years since British pianist and composer Julie Sassoon released her first solo CD, New Life (Babel). Since then, she and her family have moved to Berlin and Sassoon has quietly established herself in Germany as an unusual and unique talent. It's been a long wait for fans but her new live album, Land ...

5

Article: Extended Analysis

S.O.S.: Looking for the Next One

Read "S.O.S.: Looking for the Next One" reviewed by John Kelman


With more and more archival “finds" hitting the shelves--real or virtual--it's becoming increasingly difficult to separate the wheat from the chaff. Just because an old, long considered lost recording has resurfaced doesn't inherently make it worthy of release: sometimes the sound isn't up to snuff--though, if it's a stellar performance, that can sometimes be forgiven--but other ...


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