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433

Article: Multiple Reviews

High Octane Free Improv: Adam Caine Trio & Vinny Golia/Damon Smith/Weasel Walter

Read "High Octane Free Improv: Adam Caine Trio & Vinny Golia/Damon Smith/Weasel Walter" reviewed by Clifford Allen


History paints an image of high energy rock music and free improvisation as having very little to do with one another--which isn't surprising considering the fact that heavily-amplified rock power trios were marketed as improvisation-heavy blues for mostly white audiences (giving saxophonist Albert Ayler short shrift). When jazz musicians like drummer Tony Williams and guitarist John ...

883

Article: Year in Review

The Jazz Session: Oh, The Places You'll Go!

Read "The Jazz Session: Oh, The Places You'll Go!" reviewed by Jason Crane


It's been quite a year for The Jazz Session, my online jazz interview show: passing 300,000 downloads (and a few thousand away from 400,000 as I write this); forming a partnership with All About Jazz; adding more episodes per week; launching Facebook and Twitter pages; and just generally taking things up a level or two. I ...

Album

Brewster's Rooster

Label: ECM Records
Released: 2009
Track listing: Slanted Sky; Hilltop Dancer; No Finesse; Kickback; Chelsea Bridge; Haywain; Counter Measures; Brewster's Rooster; Going for a Burton.

Album

Rain On The Window

Label: ECM Records
Released: 2009
Track listing: Circum I; Stained Glass; The Old Dutch; Dancing In The Loft; Step Lively; Stone Ground; Tierce; Circum II; Rain On The Window; Dark Reeds; O Waly Waly; A Spring Wedding; I'm Troubled In Mind; On The Go; Pax Vobiscum.

Album

Tierney Sutton Band: Desire

Label: Telarc Records
Released: 2009
Track listing: Track listing: It's Only a Paper Moon; My Heart Belongs to Daddy; Long Daddy Green; Fever; It's All Right with Me; Then I'll Be Tired of You; Cry Me a River; Love Me or Leave Me; Heart's Desire; Whatever Lola Wants; Skylark.

139

News: Radio

The Jazz Session #102: John Surman

The Jazz Session #102: John Surman

John Surman is a composer with a broad and multi-hued musical palette. Hes written for everything from solo saxophone to string quartet to choir with organ to contemporary dance. On Brewster's Rooster (ECM, 2009), Surman reunites with longtime musical partners Jack DeJohnette and John Abercrombie (accompanied by bassist Drew Gress) for a quartet album that explores ...

1,304

Article: Live Review

ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009

Read "ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009" reviewed by John Kelman


Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 ECM at 40. It's hard to believe that a record label responsible for stretching the boundaries of modern music has survived the various crises that have threatened and, in some cases, decimated so many others. With Enjoy Jazz's “The Blue Sound: 40 Years ...

241

Article: Album Review

John Surman: Brewster's Rooster

Read "Brewster's Rooster" reviewed by Jeff Stockton


Over 150 years experience! That's how the band saxophonist John Surman assembled for Brewster's Rooster could be advertised. Surman first played with drummer Jack DeJohnette in the late '70s and DeJohnette and guitarist John Abercrombie first worked together earlier that decade. Rounded out by bassist Drew Gress, Surman revisits straight-ahead jazz after essaying an eclectic range ...

410

Article: Album Review

Roger Rosenberg: Baritonality

Read "Baritonality" reviewed by Raul d'Gama Rose


Even in the day when the sound of baritone voices like Ernie Cacares, Harry Carney, Charlie Fowlkes and Joe Temperley streaked across the sonic stratosphere, solos were graceful, granular and short. It was only when Cecil Payne, Gerry Mulligan,, Pepper Adams and a handful of other players up until Hamiet Bluiett,, John Surman and Howard Johnson ...

441

Article: Profile

John Surman: Listen and Trust

Read "John Surman: Listen and Trust" reviewed by Thomas Conrad


John Surman is arguably the best baritone saxophonist to come into jazz since Gerry Mulligan and one of the most important British jazz musicians of his generation. Yet he has rarely performed in the United States and never as a leader. Therefore it is no exaggeration to describe his upcoming gig at Birdland as a genuine ...


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