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7

Article: Live Review

Ottawa Jazz Festival, Days 1-3: June 21-23, 2012

Read "Ottawa Jazz Festival, Days 1-3: June 21-23, 2012" reviewed by John Kelman


Days 1-3 | Days 4-8 TD Ottawa International Jazz FestivalOttawa, CanadaJune 21-Jul 1, 2012After a paradigm shift in 2011--deserting its largely “pure" approach to programming for one that acknowledged how, in order for it to survive, it needed to (a) attract a larger percentage from the youth demographic, and ...

11

Article: Album Review

John Surman: Saltash Bells

Read "Saltash Bells" reviewed by John Kelman


There's no denying the “the sound of surprise" of group recordings; working solo, however, provides its own possibilities, despite meaning different things to different people. Pianist Keith Jarrett views it as a means for pulling form from the ether: one man, one piano, in real time. Multi-instrumentalist Stephan Micus, on the other hand, considers it a ...

41

Article: Opinion

BAM: Bremen Art Music?

Read "BAM: Bremen Art Music?" reviewed by Francesco Martinelli


[Editor's Note: It's been quite a few years since Italian writer, music educator and general provocateur Francesco Martinelli last contributed to All About Jazz. Having recently returned home from Jazzahead! 2012 in Bremen, and with the current debates about the meaning, future and relevance of the word “jazz" fresh in his mind, Martinelli posits an alternate ...

79

Article: Extended Analysis

Michael Gibbs and the NDR Bigband: Back in the Days

Read "Michael Gibbs and the NDR Bigband: Back in the Days" reviewed by John Kelman


Michael Gibbs and the NDR BigbandBack in the DaysCuneiform Records2012Jazz may be filled with reharmonizations, reinventions and reimaginings of songs from across its entire history; few artists have, however, made their names solely as composers and arrangers. Relative youngsters like Maria Schneider, Vince Mendoza and Darcy James Argue ...

87

Article: Extended Analysis

Giovanni Pessi / Susanna Wallumrod: If Grief Could Wait

Read "Giovanni Pessi / Susanna Wallumrod: If Grief Could Wait" reviewed by C. Michael Bailey


Giovanni Pessi, Susanna Wallumrod, Marco Ambrosini, Jane AchtmanIf Grief Could WaitECM2012 Manfred Eicher's Edition of Contemporary Music label (aka ECM) has three creative foci: “classical" music, jazz and folk music. The last of these is often overlooked in discussions of ECM, but folk music, particularly that of ...

158

Article: Interview

Jack DeJohnette: Time and Space

Read "Jack DeJohnette: Time and Space" reviewed by John Kelman


It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy “Salsa for Luisito." The track is “Enter Here," and the album is ...

86

Article: Album Review

Yoni Kretzmer: Overlook

Read "Overlook" reviewed by Eyal Hareuveni


The third solo release by Yoni Kretzmer, now based in New York, features the young Israeli saxophonist leading the recorded debut of a quartet of close friends who have been working together for few years now. As can be heard on his previous releases, Kretzmer is a highly skilled composer and arranger, and an excellent improviser. ...

Album

The Rainbow Band Sessions

Label: Losen Records
Released: 2011
Track listing: Bedrocks Inn; The Wizard; Lopsided; Going for a Burton; My Sketchy Spanish; Off Minor; One Last Waltz; Longing.

Album

Flashpoint: NDR Jazz Workshop - April '69

Label: Cuneiform Records
Released: 2011
Track listing: Mayflower; Once Upon a Time; Puzzle; Gratuliere; Flashpoint.

120

Article: Album Review

John Surman: The Rainbow Band Sessions

Read "The Rainbow Band Sessions" reviewed by John Kelman


It's been nearly two decades since British saxophonist/clarinetist John Surman last did a large ensemble disc, with the exception of Free and Equal (ECM, 2003), which teamed the duo of Surman and drummer/pianist Jack DeJohnette with the London Brass ensemble. But the last time Surman did a swinging session beyond a quartet was The Brass Project ...


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