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Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men
by John Sharpe
Portuguese tenor saxophonist Rodrigo Amado adds another stunning entry to his discography with the third album from his This Is Our Language Quartet. It was actually recorded live in Copenhagen, three days before the outfit's second studio outing, A History Of Nothing (Trost, 2018) so, unsurprisingly, presents the same starry roster completed by multi-instrumentalist Joe McPhee, ...
Dominic Lash Quartet: Limulus
by John Sharpe
The third outing from British bassist Dominic Lash's Quartet continues in the vein of its predecessors, Opabinia (Babellabel, 2013) and Extremophile (Iluso, 2017), in respect of its eclecticism, but if anything is even more cohesive and successful as a result. Lash's crew remains unchanged comprising Alex Ward on electric guitar, and the Spanish pairing of Ricardo ...
Barry Altschul's 3Dom Factor: Long Tall Sunshine
by John Sharpe
Even deep into a career which began with the Jazz Composers Orchestra and pianist Paul Bley in the 1960s, drummer Barry Altschul's music remains vital and compelling. Since 2010 his primary leadership outlet has been The 3Dom Factor, a freewheeling threesome completed by bassist Joe Fonda and reedman Jon Irabagon. Long Tall Sunshine, a live date ...
Ikizukuri + Susana Santos Silva: Suicide Underground Orchid
by John Sharpe
For its second album, the power trio Ikizukuri, comprising German saxophonist Julius Gabriel, Portuguese electric bassist Gonçalo Almeida and drummer Gustavo Costa, joins forces with trumpeter Susana Santos Silva for a brash 40-minute thrash blending free jazz, noise, metal and electronics. While the band's name refers to a gruesome strand of Japanese cuisine which entails seafood ...
Blue Reality Quartet: Blue Reality Quartet!
by John Sharpe
Back in 2001 when reedman Michael Marcus' trio waxed a disc under the title Blue Reality (Soulnote, 2002), he could scarcely have imagined the circumstances under which he might resurrect the name. As the four masked faces on the cover of Blue Reality Quartet! show, times are sadly very different. Joining Marcus in the studio in ...
Jonas Cambien Trio: Nature Hath Painted The Body
by John Sharpe
On its third outing, Norwegian-based Belgian pianist Jonas Cambien's Trio again sticks to the successful gambits which distinguished A Zoology of the Future (Clean Feed, 2016) and We Must Mustn't We (Clean Feed, 2018), but with enough novel switcheroos to keep things fresh. Joining the leader once more is reedman Andre Roligheten (also a member of ...
Hearth: Melt
by John Sharpe
Four of the most exciting young improvisers on the European scene assemble for the first time under the name Hearth. In a cosmopolitan roster overflowing with talents who each possess a distinctive individual voice, Amsterdam-based Argentinean reedplayer Ada Rave joins with the Copenhagen-domiciled Slovenian pianist Kaja Draksler, Stockholm-located Portuguese trumpeter Susana Santos Silva and Trondheim-resident Danish ...
Susan Alcorn / Leila Bordreuil / Ingrid Laubrock: Bird Meets Wire
by John Sharpe
Three accomplished improvisers of different generations meet in the studio on All Fools Day 2018 to explore some common and not so common ground. Although pedal steel guitarist Susan Alcorn started out in C&W, she takes her instrument to realms never envisioned by its originators. One could make the same claim for Brooklyn-based French-born cellist Leila ...
Rachel Musson: Dreamsing
by John Sharpe
If the solo album is a rite of passage for a woodwind player, then adventurous British saxophonist Rachel Musson passes with flying colors. Musson has found a mentor in 577 Records label boss Federico Ughi, a collaborator during his sojourn in London in the early 2000s. Consequently, the imprint has issued a stream of strong releases ...
Paul Dunmall & Mark Sanders: Unity
by John Sharpe
In spite of a decades long association, Unity constitutes only the second time British reed icon Paul Dunmall has appeared on disc in tandem with drummer Mark Sanders. And on the earlier occasion, Pipe And Drum (FMR, 2012), Dunmall restricted himself entirely to bagpipes of various species, so this outing is notable as the first documentation ...
