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Ferenc Nemeth: Openness for Triumph
by Marta Ramon
Ferenc Nemeth's versatility has positioned him in the front line of jazz drummers today. This Hungarian percussionist has developed a recognizable sound which has, over the years, resulted in his sharing the stage with renowned international jazzmen like saxophonists Wayne Shorter, Mark Turner and Chris Cheek, bassist Christian McBride, bassist John Patitucci, vibraphonist Dave Samuels and ...
Ron Oswanski: December's Moon
by Hrayr Attarian
Keyboardist Ron Oswanski is known primarily as an audacious organist. He does, however, also bring a unique agility to the accordion and is endowed with a lyrical touch on the piano as his debut album December's Moon amply demonstrates.The dozen tunes cover modern jazz compositions, Oswanski's originals and a Led Zeppelin anthem. The wide ...
Ron Oswanski: December's Moon
by Nicholas F. Mondello
With the possible exception of love" and you," moon" enters as a most-welcomed word-muse to performers, composers and lyricists. When jazz organ" enters into that equation, the expected aural summation might be the blues-infused funk of Jimmy Smith or the steamy straight-ahead of Joey DeFrancesco.December's Moon from multi-keyboardist/composer--and now leader--Ron Oswanski, is a performance ...
Ron Oswanski: December's Moon
by Edward Blanco
A modernist with the Hammond B-3 organ, Ron Oswanski introduces himself as leader for the first time crafting a vibrant modern jazz, almost fusion-like in texture, musical experiment on December's Moon. On tap are a host of exciting new originals as well as creative and swinging arrangements of music from trumpeter Kenny Wheeler whose Kayak, and ...
Ralph Bowen: The Power Play
by Diana Kondrashin
[Editor's Note: A shorter version of this interview was originally published at Jazz.Ru. It has been translated and expanded exclusively for All About Jazz.]Ralph Bowen was born in Canada but he has pursued a jazz career in the United States for over 20 years, as tenor saxophonist, composer and arranger. He strikes neatly with ...
Michael Blanco: No Time Like The Present
by Edward Blanco
A talented in-demand Broadway/jazz bassist, Michael Blanco's No Time Like The Present announces his second album as leader presenting a collection of refreshing new jazz originals offered by a dynamic quintet that features veteran saxophonist John Ellis and New York guitarist Jonathan Kreisberg among the cast. The two-time recipient of the ASCAP Foundation Young Jazz Composer ...
Xerox Rochester International Jazz Festival Announces Lineup For 12th Edition June 21-29 With Record Number Of Artists, Concerts And Venues
Rochester, NY: John Nugent and Marc Iacona, Producers of the Xerox Rochester International Jazz Festival (XRIJF) today announced the lineup for their biggest festival ever, to be held over nine days June 21-29, 2013. The XRIJF 12th Edition will feature Bob James & David Sanborn with Special Guest Steve Gadd, David Byrne and St. Vincent, Roger ...
Half Note Records: Live from the Blue Note
by Bob Kenselaar
Jeff Levenson has been at the helm of Half Note Records since 2002, just a few years after it got off the ground. Through a combination of his leadership and vision and the great artistry of the musicians represented in its catalog--including McCoy Tyner, Elvin Jones, Lee Konitz and many others--the label has clearly made its ...
John Beasley: Everyone Loves John
by Scott Mitchell
Keyboardist John Beasley (aka The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...
Panama Jazz Festival: Panama City, January 14-19, 2013
by Josef Woodard
Panama Jazz FestivalPanama City, PanamaJanuary 14-19, 2013Taking in the dense, ambitious and unusually large-spirited phenomenon that is the Panama Jazz Festival, which rounded the corner to its milestone tenth anniversary in this year's mid-January edition, the question of how this institution came to pass lurked in the periphery. How was it that this ...


