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Kenny Wheeler: Songs for Quintet
by Ian Patterson
In the end, time--as is its wont--caught up with Kenny Wheeler, the much-loved Canadian-born trumpeter/flugelhornist and composer who made England his home for over sixty years. Happily, he was able to hear the results of the two-day Abbey Road sessions that produced, Songs for Quintet before he passed away last September 18. These Wheeler originals reveal ...
Jazz Vocals July - Stacy Kent, Patrice Jegou, and Vanessa Perea
by C. Michael Bailey
Stacy Kent The Changing Lights Warner Bros. Records 2013 Stacey Kent has had an impressive musical run: Breakfast on the Morning Tram (Blue Note, 2007, for which she was nominated for a Grammy Award), Raconte- moi... (Blue Note, 2010), Dreamer In Concert (Blue Note, 2011) ...
Stacey Kent: The Changing Lights
by Dan Bilawsky
Stacey Kent's voice operates at the intersection of knowingness and innocence. She delivers every song with finesse, balancing a sense of wide-eyed wonderment with soft-handed confidence. Perhaps that's why she's been able to build such an enormous fan base since starting her singing career and showing up on listener's radars near the turn of the century. ...
Scene Norway 2 at King's Place
by John Kelman
Scene Norway 2 Artist-in-Residence: Nils Petter Molvær King's Place, London, UK November 15-17, 2013 Walking into King's Place, in London, England, is an experience in itself. A building opened in 2008 near King's Cross station in downtown London, it was built with the kind of foresight that is rare these ...
Stacey Kent: The Changing Lights
by Bruce Lindsay
Stacey Kent is a jazz success story--not just in terms of her talent, but also in terms of her international popularity, with her previous three albums clocking up a total of over 500,000 sales. What makes her so successful? The Changing Lights, her tenth album, demonstrates all of the qualities.There's the material, a mix ...
Mark Lockheart: Ellington in Anticipation
by John Kelman
Ellington in Anticipation isn't Mark Lockheart's first album to employ an expanded lineup; the Polar Bear/Blue Touch Paper saxophonist collaborated with Germany's WDR Big Band on 2010's Days Like These (Fuzzy Moon) and first cut his teeth in Loose Tubes, the now-legendary large UK collective of then-up-and-comers that included pianist Django Bates, saxophonist Iain Ballamy and ...
Death, Rebirth & New Revolution
by Ian Patterson
The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...
London Jazz Festival: November 9-18, 2012
by Duncan Heining
London Jazz FestivalLondon, England November, 9-18, 2012Now in its 20th year, the London Jazz Festival is a vast, all-encompassing affair. One of the great cities of the world, London's history saw it swallow village upon village and hamlet after hamlet and this can make it all seem dispersed and disconnected. It's an ...
ACT: 20 Years of Magical Music
by Jakob Baekgaard
Nowadays, creating a record label is closer to the norm than the exception. The real sign of success in a fleeting music business, where the sale of records constantly declines, is staying power. This year, 2012, the German record label ACT Music is able to celebrate its 20th anniversary. Not a mean feat for a company ...
Colin Towns: Rule Book? What Rule Book?
by Ian Patterson
Since the 1970s, internationally renowned English composer/arranger/pianist/keyboard player Colin Towns has enjoyed an extremely varied musical existence. In that time, he has composed and arranged music in just about every setting imaginable, from heavy rock groups to jazz ensembles both small and large, and from theater to film and ballet. Little wonder, then, that his first ...
