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Elina Duni Quartet: Matane Malit
by John Kelman
There was a time when jazz musicians were commonly recruited to play on pop records, because their purview was so broad that they could mold themselves into any context. Elina Duni's music may not be jazz by conventional definition, but its improvisational spirit clearly occupies the broader “jazz state of mind" to which the Albanian-born/raised and ...
Pat Metheny: The Orchestrion Project
by John Kelman
Pat Metheny The Orchestrion Project Eagle Eye Media 2012 When guitarist Pat Metheny released Orchestrion (Nonesuch) in 2010, it almost immediately became one of his most controversial recordings since Zero Tolerance for Silence (Warner Bros., 1992). Why, in a jazz world, where interaction with other musicians is so fundamental to its ...
Larks' Tongues in Aspic (40th Anniversary Series Box)
by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Saxophonist David S. Ware: 1949-2012
David S. Ware's longtime manager Steven Joerg, the family's official spokesman, has issued the following statement: Last night, saxophonist and composer David S. Ware succumbed to complications from his 2009 kidney transplant at Robert Wood Johnson University Hospital in New Brunswick, New Jersey. He was 62. His remains will be cremated and a musical memorial service ...
Dutch Jazz & World Meeting 2012: October 5-6, 2012
by John Kelman
Dutch Jazz & World Meeting Amsterdam, The NetherlandsOctober 5-6, 2012With Jazzahead! 2012--the annual European jazz trade fair--demonstrating that jazz is, if not exactly big business, then certainly bigish business, it's no surprise to find that The Netherlands' biannual Dutch Jazz & World Meeting is making the same salient point, albeit more narrowly ...
Elephant9: Atlantis
by John Kelman
Ever a collective, Elephant9's Atlantis represents the Norwegian power trio's most egalitarian outing yet. 2008's Dodovoodoo and 2010's Walk the Nile were, for the most part, dominated compositionally by keyboardist and Supersilent/Humcrush coconspirator Ståle Storløkken. Atlantis is more evenly split between Storløkken's four tracks to bassist Nikolai Hængsle Eilertsen's three, but most importantly demonstrates a continued ...
Cecil Taylor: FLY! FLY! FLY! FLY! FLY!
by John Kelman
83 years old and approaching ninety releases as a leader, pianist Cecil Taylor's place in the history of jazz may already rest assured, but he's more cited than seen these days. He may not come up as a primary influence as often as usual suspects Bill Evans, Keith Jarrett, McCoy Tyner or Herbie Hancock, but in ...
Nik Bärtsch's Ronin: Live
by John Kelman
Change can be good, though there's often a sense of loss when a significant adjustment happens. Honing his very specific Ritual Groove/Zen Funk music for more than a decade, Swiss pianist Nik Bärtsch was hit with a particularly big change when Ronin's founding bassist, Bjørn Meyer, left in 2011 to pursue personal projects. The more recent ...
Michael Formanek: Small Places
by John Kelman
It's no secret that pathological fans view every artist discovered as a new branch on an endlessly growing musical tree. It should come as no surprise, then, that labels--at least, those run by folks as pathological as the fans they hope to attract--operate with the same eye to discovery and expansion. ECM has, in its forty-plus ...
Ultima Festival: Oslo, Norway, September 10-15, 2012
by John Kelman
Ultima Festival Oslo, Norway September 15, 2012In a country that has called its “pathology" of over 600 music festivals per year “festival inflation," it's hard for any festival to stand out amongst the others, and yet so many of the events in Norway do. From Kristiansand's Live Remix festival, Punkt, to the superbly ...
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