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82

News: Radio

The Jazz Session #196: John Escreet

The Jazz Session #196: John Escreet

100

News: Birthday

Jazz Musician of the Day: John Escreet

Jazz Musician of the Day: John Escreet

All About Jazz is celebrating John Escreet's birthday today! John EscreetSince moving to New York in 2006, John Escreet has had a powerful impact, and is emerging as one of the most creative and original pianists on the music scene there. He is highly revered amongst his peers for his creativity... ...

227

Article: Album Review

John Escreet: Don't Fight The Inevitable

Read "Don't Fight The Inevitable" reviewed by Bruce Lindsay


British pianist John Escreet is a prodigiously talented young musician with a growing reputation as a player and composer. Don't Fight The Inevitable--his second solo album, following 2008's acclaimed Consequences (Posi-Tone Records)--finds Escreet in the company of top-flight New York players, creating some intense and complex music. The quintet is almost identical to ...

148

Article: Album Review

John Escreet: Don't Fight The Inevitable

Read "Don't Fight The Inevitable" reviewed by Dan Bilawsky


Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...

344

Article: Album Review

John Escreet: Don't Fight the Inevitable

Read "Don't Fight the Inevitable" reviewed by John Kelman


Since moving to New York in 2006, pianist John Escreet has positioned himself as one of the scene's most significant up-and-comers. In addition to performances with artists including Chris Potter and Seamus Blake, he's a member The Story, which released its self-titled debut independently in 2009. Escreet also gigs with David Binney, appearing on Aliso (Criss ...

304

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by J Hunter


For Aliso, reedman David Binney wanted to get back to “doing things that have been part of my life since I was a kid." It's clear that any time is a good time for a happy childhood, because both Binney and his band dive into Aliso like 10 year-olds on vacation at Disney World. The opening ...

134

News: Recording

Pianist/Composer John Escreet Releases New CD "Don't Fight the Inevitable" on Mythology Records.

Pianist/Composer John Escreet Releases New CD "Don't Fight the Inevitable" on Mythology Records.

Don't Fight The Inevitable is pianist/composer John Escreet's eagerly awaited follow up to his award-winning debut album Consequences. The new recording features David Binney (alto saxophone/electronics), Ambrose Akinmusire (trumpet), Matt Brewer (double bass) and Nasheet Waits (drums). Escreet's sophomore release contains all new original material with the only exception being an inventive reinterpretation of Muhal Richard ...

251

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by Karl Ackermann


Saxophonist David Binney's resume boasts of diverse stints with Maria Schneider, Craig Taborn, and Uri Caine among many others; a wide range of styles with the best musicians, composers and arrangers in jazz. While the scope of his talents as both a player and composer are recognized by his fellow musicians, wider public recognition has still ...

320

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by Dan Bilawsky


Finding musical parallels to David Binney's work is not always an easy task. As a composer, he has managed to create a distinctive sound, yet no single quality can properly define his work. Binney wears his influences on his sleeve throughout Aliso, choosing to touch on the work of Wayne Shorter, Sam Rivers, Thelonious Monk and ...

381

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by John Kelman


In a career now in its third decade, alto saxophonist David Binney's greatest accomplishment, despite being a player of no small worth, has been as a composer whose often knottily idiosyncratic tunes manage to remain not just accessible, but deeply compelling. From the earliest days of Lost Tribe through to last year's outstanding Third Occasion, Binney's ...


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