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Dan Wilson: Vessels Of Wood And Earth
by Chris May
Dan Wilson's Vessels Of Wood And Earth starts well. Just over a minute into track one, the guitarist launches into a lightning-speed solo which sounds a little like Wes Montgomery channeling Charlie Parker on speed. On track two, Stevie Wonder's well named Bird Of Beauty," he rings the changes, exchanging Montgomery and Parker for Pat Metheny ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Avishai Cohen: Two Roses
by Dan McClenaghan
Avishai Cohen dreamed big, with images of symphony orchestras dancing in his head. The Israeli-born bassist maneuvered that dream into a reality with Two Roses, a recording that finds Cohen in the company of the ninety-two piece Gothenburg Symphony Orchestra, in addition to his jazz cohorts, Azerbaijani pianist Elchin Shirinov and New Jersey born and bred ...
Floating Points, Pharoah Sanders & The London Symphony Orchestra: Floating Points
by Ian Patterson
The meeting of electronics artist/DJ Sam Shepherdaka Floating Pointswith free-jazz icon Pharoah Sanders and the London Symphony Orchestra is a welcome surprise. Sanders has seldom troubled his discographers since the dawn of the new millennium. A couple of archival radio recordings, Live at Antibes Jazz Festival Juan Les Pins July 21 1968 (Alternative Fox, 2019) and ...
Buster Williams: Bass to Infinity
by Victor L. Schermer
Buster Williams: Bass to Infinity Director: Adam Kahan Distributor or Film Company USA: 90 minutes Premier Date: Nov. 12, 2019 This is an exceptional jazz film that most likely would have made its way into art theaters around the world were it not that four months after its premier in ...
Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album
by Karl Ackermann
The hard bop, Philadelphia pianist Hasaan Ibn Ali had a short, troubled life. On what was believed his only recording, The Max Roach Trio Featuring the Legendary Hasaan (Atlantic, 1965), the drummer placed Ali's full image front and center, his name in a larger font on the LP cover. Within the Philadelphia jazz community, he was ...
Tubby Hayes: Free Flight
by Chris May
Tenor saxophonist, flautist, vibraphonist and composer Tubby Hayes, who died at the unconscionably young age of thirty-eight in 1973, was that rare thing among the first generation of British jazz musicians in the 1960sa player who was taken seriously by the hippest American musicians and audiences. He visited New York in 1961 and 1964 for well-received ...
Whatitdo Archive Group: The Black Stone Affair
by Chris May
Great music recorded in the 1960s and 1970s, never previously released and thought to be lost forever, continues to be unearthed. In 2018, there was John Coltrane's Both Directions At Once: The Lost Album (Impulse!). In 2019, there was Miles Davis' Rubberband (Warner Bros). Now, in 2021, comes another historic discovery: the long-lost soundtrack of visionary ...
Paul Dunmall, Percy Pursglove, Olie Brice, Jeff Williams: Palindromes
by John Sharpe
Bassist Olie Brice had an inkling that it might be worthwhile introducing two of his collaborators who had never played together before, British reed titan Paul Dunmall and American drummer Jeff Williams. It proves devastatingly correct on Palindromes. They unite, together with trumpeter Percy Pursglove, on a collective live album--recorded at London's Cafe Oto, in February ...
Patitucci, Colaiuta, Cunliffe: Trio
by Jim Worsley
Pianist Bill Cunliffe was asked if he would be interested in doing a trio record with rhythm section legends {John Patitucci and Vinnie Colaiuta. Naturally he said yes, both immediately and excitedly. Right now" was the answer when he asked when. Patitucci and Colaiuta were already set-up in a studio at Le Coq Records, and Cunliffe ...





