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Article: Album Review

Johannes Wallmann: Elegy For An Undiscovered Species

Read "Elegy For An Undiscovered  Species" reviewed by Friedrich Kunzmann


Supported by the Artemis supergroup members drummer Allison Miller and trumpeter Ingrid Jensen as well as by long-time collaborator Dayna Stephens and bassist Nick Moran, Johannes Wallmann can count himself lucky to have a celebrity packed core band behind him to present six new cuts fresh off the pianist's pen. In addition to the celebrity lineup, ...

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Article: Album Review

Christopher Kunz & Florian Fischer: Die Unwucht

Read "Die Unwucht" reviewed by Chris May


Saxophone and drums duos--usually that means tenor saxophone and drums--got serious in the mid 1960s, when pianist McCoy Tyner and bassist Jimmy Garrison would lay out during performances by John Coltrane's classic quartet to allow Coltrane and drummer Elvin Jones to pursue their mutual shamanistic muse together. One such occasion is preserved on One ...

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Article: Multiple Reviews

Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records

Read "Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records" reviewed by Friedrich Kunzmann


A sound poet of sorts, Swiss tenor saxophonist Christoph Irniger has gained quite a reputation for his lyrical tone and creative penmanship, more often than not responsible for the majority of the memorable repertoire he records and performs. The poetic nature of his music is owed not only to the artists that have influenced him over ...

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Article: Interview

MAT: Collettivo in evoluzione

Read "MAT: Collettivo in evoluzione" reviewed by Paolo Marra


In Front Of (Tuk Music) è il quarto disco del collettivo MAT formato dal sassofonista Marcello Allulli, il chitarrista Francesco Diodati e il batterista Ermanno Baron. Con alle spalle molteplici collaborazioni in altri progetti, i tre musicisti hanno voluto con questo lavoro definire la loro idea di musica d'insieme senza limiti prestabili. Il risultato sono otto ...

9

Article: Album Review

Tim Mayer: Keeper of the Flame

Read "Keeper of the Flame" reviewed by Jack Bowers


On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." ...

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Article: What is Jazz?

Transforming A Popular Song

Read "Transforming A Popular Song" reviewed by Matthew Michael Sweeney


One of the most transformative experiences in my life happened while drifting around the Museum of Modern Art in New York a few years ago, standing in awe before Picasso's Seated Woman, one of the many “portraits" of his mistress Marie-Therese Walter. I was astounded at the huge discrepancy between her photograph, which was displayed along ...

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News: Recording

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...

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Article: History of Jazz

Clifford Brown’s Trumpet and One Summer in Atlantic City

Read "Clifford Brown’s Trumpet and One Summer in Atlantic City" reviewed by Arthur R George


Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...

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Article: Album Review

Marion Brown: Why Not? Porto Novo! Revisited

Read "Why Not? Porto Novo! Revisited" reviewed by Chris May


Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...

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Article: Multiple Reviews

Albert Ayler & New York Contemporary Five: Revisited, Remastered, Resplendent

Read "Albert Ayler & New York Contemporary Five: Revisited, Remastered, Resplendent" reviewed by Chris May


The Swiss-based ezz-thetics label was launched in 2019 by Hat Hut Records' founder, Werner X. Uehlinger, and its Revisited strand is a jazz aficionado's dream. The series is devoted to landmark avant-garde recordings from the 1960s, and ezz-thetics does more than simply reissue them. Peter Pfister, Uehlinger's longtime mastering Jedi, improves the audio quality of the ...


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