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Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard
by Ian Patterson
The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at ...
D.B. Shrier: D. B. Shrier emerges
by Mike Jurkovic
The provenance behind this full-bore blow out recorded in 1967 by Philadelphia tenor sax legend D.B.Shrier differs from most myths in the fact that we now have pure, full-blown proof of what a night in his company sounded like: A scorching combustion of energy, virtuosity and audience adulation. Originally released by Alfa Records in ...
Not Like Before: Michael Robinson's Jazz Without Borders
by Michael Robinson
Playing my personal vision of jazz, claiming that name as part of my heritage, I endeavor feeling the rhythms of life in the present, past and future, entering into them through touch and nuance at the piano, connecting rajas, sattva and tamas; circular movement, cohesion and disintegration. I've been fortunate to know masters of improvised ...
Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record
by Chris May
In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...
Mark Ortwein: It Was Time
by Jack Bowers
A byproduct of waiting as long as Mark Ortwein has to record one's first album as leader can be reaching too far and trying too hard to achieve perfection. That seems to be the case with It Was Time, wherein Ortwein's versatility is never in doubt--he plays nine instruments on the album--but his musical choices are ...
Carlton-Macpherson-Pass-Valenti Quartet Interview Series: Alana Macpherson
by Jane Kozhevnikova
This interview is the first in a series to feature the Carlton-Macpherson-Pass-Valenti quartet from Australia: Jessica Carlton (trumpet), Alana Macpherson (saxophone), Kate Pass (double bass) and Talya Valenti (drums). They formed a quartet in 2021 with Carlton's move to Perth from Melbourne and Macpherson's temporary return from Austria. The quartet's debut album, Undeniable (Self Produced, 2022), ...
Steve Slagle: Into The Heart Of It
by Dan Bilawsky
In a storied career that's produced more than 20 leader dates, there's little that Steve Slagle hasn't explored and accomplished. Yet here we are with a true first from the veteran alto saxophonist: A stunning bouquet of ballads. Inspired by lodestar outings from legends like John Coltrane, and driven by a desire to find a personalized ...
Pharoah Sanders Quartet: Live At Fabrik
by Chris May
One reason Pharoah Sanders was such a special artist was the prismatic nature of his music. When Sanders lit on to a new avenue of investigation, he did not in the process reject what he had been doing up until that moment. Instead, he wove the new perspective into the existing structure, enriching rather than replacing ...
Wayne Shorter remembered as Jazz's Shaman Of Musical Influence
by Doug Hall
The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...
Introducing Jazz History And Literature, Reconceived
by Phillip A. Haynes
When I was invited to offer jazz coursework in 2007, as Bucknell University's first Kushell Jazz Artist-in-Residence, my Chair asked what single subject I thought was most important to teach. I responded, “an integrated jazz history & literature sequence, including a semester of classic jazz and one of modern jazz." To which he replied, “Fine, just ...
