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Joe Locke: Makram
by Neil Duggan
One of the leading vibraphone specialists of the 21st century, Joe Locke has won multiple awards and performed with artists as diverse as the Beastie Boys and Ron Carter. It's not just his musicianship on the vibraphone that sets him apart. He is a highly versatile arranger, incorporating soul and international influences. Named after the Lebanese ...
Ahmad Jamal: Forward Momentum
by Ian Patterson
In memory of the venerable Ahmad Jamal. This article was first published on All About Jazz on July 6, 2010. Ahmad Jamal, possibly the most influential of living jazz pianists, turned 80 years young on July 2, 2010. It is however, business as usual and instead of celebrating at home in his slippers, Jamal ...
Conrad Herwig: Obligation
by C. Andrew Hovan
Jazz fans tend to be fanatical about those artists that most directly speak to their own musical tastes. Over time, a sense of familiarity with the musical personalities of their iconic favorites becomes entrenched, followed by categorization based on style and genre. Those already familiar with Conrad Herwig's musical endeavors over the past 20 years are ...
Playing Time Vs Playing Within The Time
by Mat Marucci
There is a definite difference between playing time and playing within the time. To illustrate, let's look at a couple statements with which I think everyone reading this will agree. First: Every musician should be able to play in time. And: Not every musician is able to play in time. Now, a ...
Jazz Honors The Beatles
by AAJ Staff
All About Jazz is honoring The Fab Four in the year of the 60th anniversary of the release of their first album (Please Please Me). This collective tribute was originally published in September 2009--as a living document, we'll add more quotes & stories over time (see how-to in comments section). We also compiled a companion playlist ...
Trevor Tomkins' Sextant: For Future Reference
by Chris May
A 2-CD collection of four sessions recorded for BBC Radio between 1980 and 1983, For Future Reference is a snapshot, just one of many snapshots that might be taken, of British jazz in the period immediately before the so-called “jazz boom" of the mid to late 1980s. That boom was marked by an acknowledgement of the ...
Live from the Village Vanguard
by David Brown
I was at the Village Vanguard in NYC on Tuesday to hear Chilean tenor saxophonist Melissa Aldana and her captivating quintet. With that experience in mind, tonight's lineup will showcase live recordings from this world-famous venue from Chucho Valdes to John Coltrane to The Thad Jones / Mel Lewis Orchestra. Then, works from Arturo and Chico ...
Kahil El'Zabar's Ethnic Heritage Ensemble: Spirit Gatherer
by Chris May
Anyone who was chair of the Association for the Advancement of Creative Musicians for a decade knows a thing or two about keeping a group of independently minded artists focused on a common goal. Drummer and percussionist Kahil El'Zabar continues to demonstrate that with his Ethnic Heritage Ensemble, an acoustic, improvising trio with an African foundation ...
London Crate-Diggers BBE Reveal Lost J-Jazz Gems
by Chris May
In his introduction to The Blue Note Years: The Jazz Photography Of Francis Wolff (Rizzoli, 1995), the late Charlie Lourie reported a remarkable event he had witnessed at the inaugural Mt. Fuji Jazz Festival in 1985. “Where else but in Japan," wrote Lourie, “can one see a field packed with fifteen thousand teens and twentysomethings roar ...
Bob Perkins: The Art of Listening
by Victor L. Schermer
This article was first published in November 2009. Bob is without a doubt an NEA Jazz Master. Please nominate him for an NEA Jazz Masters Fellowship. “It's BP with the GM!" That's how the famed and venerable jazz disc jockey Bob Perkins signs on the air, with the code for “Bob Perkins with the ...
