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Live at Newport 1956-69 + New Releases
by David Brown
Today we will bookend the show with new releases from Hiromi, Ambrose Akinmusire, Fred Hersch, Dan Weiss, and Phillippe Massé . In between, a summer selection of recordings originating from the Newport Jazz Festival between 1956 and 1969. Artists for this set will include Duke Ellington, Toshiko Akiyoshi, Dizzy Gillespie, Teddy Wilson, The Sextet, Thelonious Monk, ...
Festival International de Jazz de Montréal 2025
by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada June 28-July 2, 2025 The headliners of the 45th edition of the festival included names like Gospel legend Mavis Staples, Canadian rockers Blue Rodeo, Canadian Inuk musician Elisapie, New Orleans musician Trombone Shorty & Orleans Avenue, Nigerian singer/songwriter Ayra Starr, Canadian ...
Gonzalo Rubalcaba, Chris Potter, Larry Grenadier & Eric Harland: First Meeting: Live at Dizzy’s Club
by Mike Jurkovic
Let us not beat around the bush or obfuscate the obvious: First Meeting: Live at Dizzy's Club is as sweet a listen anyone can wish for or expect as simpatico luminaries--pianist Gonzalo Rubalcaba, saxophonist Chris Potter, bassist Larry Grenadier and drummer Eric Harland--take to Dizzy's stage. And command it, but not with a heavy hand or ...
Kārlis Auziņš Double Trio: Equilibrium Suite
by Mark Corroto
Latvian saxophonist Kārlis Auziņš would never, we can assume, claim that his Equilibrium Suite stands as the equal of John Coltrane's A Love Supreme (Impulse!, 1964). His reverence for Coltrane's seminal work is too deep. Still, listeners may find themselves drawing a natural connection--celebrating Auziņš's own modern spiritual statement, one forged with sincerity, originality and purpose. ...
Why Is Japan a Jazz Paradise—or—Why the Japanese Feel at Home in Jazz?
by Atzko Kohashi
Part 1 | Part 2Why is Japan such a jazz-loving nation? No other country has reissued so many classic jazz albums as Japan. From Blue Note to Riverside to Prestige, masterpieces are constantly being revived--remastered with pristine sound, released in exclusive paper sleeves, or in ultra-high-quality formats like SHM-CD or SACD. Some albums long ...
Reddish Fetish: Llegue
by Jack Bowers
Once the opening number is discounted as an anomaly, Llegue (pronounced yeh-geh) is a generally pleasing debut recording by the New Jersey-based Reddish Fetish octet, led by drummer Jason Reddish and featuring the Jersey City All-Stars. Reddish Fetish is the fresh incarnation of a group established in the late 1960s by the leader's father, saxophonist Bill ...
BARI-ed Alive: Put It There
by Pierre Giroux
In an era teeming with standard horn sections and predictable lineups, BARI-ed Alive's Put It There stands out as a bold and sonorous declaration of individuality. The sextet's audacious choice to feature three baritone saxophones--masterfully played by Alex Dean, Shirantha Beddage, and Chris Gale--creates a sound that is muscular, bottom-heavy, and perhaps surprisingly buoyant. Rounded out ...
OJC Piano Greatness: Thelonious Monk & Bill Evans
by C. Andrew Hovan
Having been a source of quality reissues back when vinyl was still king, it is fitting that the Original Jazz Classics series has returned now that the vinyl renaissance continues to carry on full-force among the music-buying public. Now in its second full year of releases, Craft Recordings continues to mine its impressive back catalog for ...
Spike Wilner Trio Contrafactus: The Children & The Warlock
by Jack Bowers
A parodist might quip that Trio Contrafactus is simply another name for a quartet, as that is what pianist and entreprenuer Spike Wilner is leading on his new recording, The Children & the Warlock, wherein Wilner and his rhythm section (Paul Gill, bass; Anthony Pinciotti, drums) are flanked by renowned tenor saxophonist George Garzone.
Three-Layer Cake: Sounds The Color Of Grounds
by Mark Corroto
The trio of Mike Watt, Brandon Seabrook and Mike Pride began as a pandemic-era experiment, exchanging music files remotely to create Stove Top (RareNoise, 2021). Now, as Three-Layer Cake, they return with Sounds The Color Of Grounds, a record that reveals a fully realized and cohesive jazz-punk--or perhaps punk-jazz--ensemble. Watt, etched into punk rock's ...
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