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Moers Festival Interviews: Møster!
by Martin Longley
During his recent visit to the Borealis festival of experimental music in Bergen, your scribe met up with reedsman Kjetil Møster, who also happens to be on the directors board of that mighty fine weekender. In just under two months, he'll be bringing his long-running self-named quintet Møster! to the Moers Festival in Germany (29th May-1st ...
Steve Dawson: Finding the Secret of a Song
by Jakob Baekgaard
It might be that singer/songwriter Steve Dawson was born in California and raised in Idaho, but he has become a son of the city he calls home: Chicago. He is teaching at the acclaimed Old Town School of Folk Music and while preparing others for a life in music, he has also followed his own musical ...
Schapiro 17: New Shoes: Kind of Blue at 60
by Jack Bowers
2019 marked the sixtieth anniversary of the Miles Davis sextet's acclaimed album, Kind of Blue (Columbia). While the tributes didn't exactly pour in, New York-based composer / arranger Jon Schapiro took it upon himself not only to revisit that classic session but to re-orchestrate it for a large ensemble (the Schapiro 17) and flesh it out ...
George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
Albert Ayler Trio: 1964: Prophecy Revisited
by Mark Corroto
Albert Ayler is often quoted as saying “Trane was the Father, Pharoah was the Son, I am the Holy Ghost," referring to John Coltrane, “Pharoah Sanders," and himself. It might be better said that Ayler was John The Baptist, the musical prophet that proclaimed the coming of free jazz. Like many a prophet, his end was ...
Carsten Meinert: C.M. Musictrain
by Jakob Baekgaard
Collectors of rare Danish jazz are in much better position in 2020 than they once were. Little labels like Centrifuga and Frederiksberg Records are dedicated to digging out lost pearls and the big Danish jazz labels are following suit. Not long ago, Storyville brought the classic album Sentiments (Storyville, 1972) by saxophonist Sahib Shihab back into ...
Lakecia Benjamin: Pursuance: The Coltranes
by Mike Jurkovic
Maybe it's the nuances she's picked up sharing stages with Rashied Ali, Stevie Wonder and Alicia Keys, or a deep intuition not only into jazz, but also into James Brown and Sly and the Family Stone. Perhaps it's her Washington Heights sidewalk sense that, no matter the game, you play and play alike. Or that you ...
Pharoah Sanders: Live In Paris (1975)
by Chris May
Pharoah Sanders' catalogue of newly-discovered album releases is expanding as fast as those of his fellow travellers Alice Coltrane and John Coltrane. Which is great, but... most of the albums were recorded live, sometimes with poor audio capture, and do not always find the musicians at their best. You have to pick and choose between them. ...
Don Cherry: Cherry Jam
by Karl Ackermann
In the same year that composer/multi-instrumentalist Don Cherry recorded his milestone Complete Communion (Blue Note, 1966) he took his cornet to the studio of Danish National Radio. Cherry had established himself by the early 1960s, playing with Steve Lacy, Ornette Coleman, Paul Bley, John Coltrane, Charlie Haden, Archie Shepp, Albert Ayler and Ed Blackwell. Copenhagen began ...
Jeff Parker & The New Breed: Suite For Max Brown
by Jerome Wilson
Guitarist Jeff Parker spent many years in Chicago involved in the city's fertile jazz and experimental music scene, primarily as a member of the AACM and the band Tortoise. In 2013 he relocated to Los Angeles. Since then, his music as a leader has combined a 70's rhythm and blues vibe with the sampling, electronic manipulation ...
