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33

Article: Under the Radar

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann


Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

7

Article: Album Review

Kuzu: Purple Dark Opal

Read "Purple Dark Opal" reviewed by Mark Corroto


Thank your lucky stars that Kuzu's previous disc Hiljaisuus (Aerophonic/Astral Spirits, 2019) was not a one-off meeting. That recording, their first concert together in 2017, inspired the trio to tour and explore their brand of free jazz. Purple Dark Opal, recorded live in Milwaukee in October 2018, found the trio in the midst of an extended ...

Article: My Favourite Things

Anne Mette Iversen e il Questionario di Proust

Read "Anne Mette Iversen e il Questionario di Proust" reviewed by Paolo Peviani


Il tratto principale della mia musica Il modo in cui melodia e armonia interagiscono. La qualità che desidero nei musicisti che suonano con me La capacità di lavorare su qualsiasi composizione. Come musicista, il momento in cui sono stato più felice Quando sono sul ...

2

Article: Album Review

New Bojaira: Zorongo Blu

Read "Zorongo Blu" reviewed by Angelo Leonardi


La relazione tra jazz e flamenco ha avuto varie declinazioni. Eccettuando gli estemporanei antecedenti di Miles Davis e di John Coltrane, il primo a inaugurare proficuamente la sintesi è stato Pedro Iturralde nel 1967 con Flamenco Jazz: un condiviso impianto modale legava la chitarra di Paco De Lucia ad assoli di vari jazzmen (tra cui il ...

5

Article: Interview

Carla Marciano: Tensione, melodia e improvvisazione

Read "Carla Marciano: Tensione, melodia e improvvisazione" reviewed by Paolo Marra


La libera improvvisazione, aspetto fondamentale della dialettica jazz, ispirata da colonne sonore di film entrati nella storia della cinematografia moderna ormai patrimonio della memoria collettiva. Così potremmo sintetizzare l'ultimo lavoro discografico della sassofonista Carla Marciano, tra le più apprezzate a livello internazionale, dal titolo Psychosis. L'album rappresenta un personale omaggio al direttore d'orchestra statunitense Bernard Herrmann ...

9

Article: Album Review

Emmet Cohen: Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath

Read "Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath" reviewed by Mike Jurkovic


Set aside for the moment that the combined age of the elders here is 174 years. Emmet Cohen's Masters Legacy Series Volume 3 Featuring Benny Golson & Albert “Tootie" Heath is not only a mouthful of a title, but also irascibly and irrepressibly old school. It's as if Cohen, in his youthful (29) zeal and zest ...

4

Article: Take Five With...

Take Five with Boaz Marva

Read "Take Five with Boaz Marva" reviewed by AAJ Staff


Meet Boaz Marva Boaz Marva is a distinctively accomplished jazz and rock guitarist, vocalist and composer. He plays in DOR SAGI band (who recently recorded an EP with keyboardist Jason Lindner as producer), worked with Amir Segall and Ben Silashi in their project Zzajeerf, gigged with Andreas Toftemark, Elam Friedlander, Naama Gheber, Joni Paladin, Sammy Weissberg, ...

5

Article: Profile

The Very Singular Mr. Ran Blake

Read "The Very Singular Mr. Ran Blake" reviewed by Duncan Heining


There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...

7

Article: Radio & Podcasts

School of Trane - Wayne Shorter, Archie Shepp, Charles Lloyd, Pharoah Sanders (1964 - 1969)

Read "School of Trane - Wayne Shorter, Archie Shepp, Charles Lloyd, Pharoah Sanders (1964 - 1969)" reviewed by Russell Perry


No tenor player cast a larger shadow over the 1960's than John Coltrane. Arguably, that time frame could be expanded to include all decades since, as well. Several contemporary tenor players who emerged as singular and important voices in the 1960s were specifically in his debt: his friend and colleague -Wayne Shorter, his protégé —Archie Shepp, ...

14

Article: Album Review

Adam Berenson: Every Beginning Is A Sequel

Read "Every Beginning Is A Sequel" reviewed by Karl Ackermann


Pianist/keyboardist/composer Adam Berenson--across more than twenty recordings--offers incontrovertible evidence that talent surpasses an affinity for category. He is equally at home with jazz, electronica, blues, or a string quartet. On his previous , fully-acoustic album, Stringent and Sempiternal (Dream Works, 2019) Berenson went in an unusual direction (for him), covering works of Miles Davis, Bud Powell, ...


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