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David Strother: Soundings.live
by Florence Wetzel
The Japanese term mono no aware means “the pity of things," a reference to the gentle sadness that results from acknowledging the impermanence and transience of life on earth. David Strother's beautiful EP, Soundings.live, evokes this quality throughout. Strother has created six aural haiku using the unique combination of a five-string electric violin and sounds from ...
The Claudia Quintet + 1 featuring Kurt Elling and Theo Bleckmann: What Is the Beautiful?
by Troy Collins
Jazz and poetry have a longstanding relationship that precedes the postwar experiments of the Beats, dating back to the Harlem Renaissance. As with any artistic collaboration, the cooperative efforts of improvising musicians and poets have yielded mixed results over the years. One of the first artists to successfully explore this territory (with John Cage and Charles ...
Computer Music, Part 1
by Nick Catalano
A couple of years ago I wrote a review about Wallace Roney at Joe's Pub. Roney has been known as a trumpeter who frequently seeks cutting-edge developments in music, and his recordings usually contain something new. On this night, Roney had hired a turntablist for his bandstand aggregation, and It was to be the first time ...
Splashgirl: Pressure
by Chris May
Splashgirl Pressure Hubro 2011 This radiant album from Norwegian piano trio Splashgirl is unlike anything that came before it, except, in some measure, its immediate predecessor, Arbor (Hubro, 2009), whose trajectory it develops. Certainly, nothing quite like it has come out of central Europe or the US. An approximate comparative ...
John Cage: Ryoanji
by Raul d'Gama Rose
In the vivid imagination of John Cage, a perfect storm of ideas was always at work. And when the composer's mind opened up to the exactitude of spatial geometry and the asymmetrical balance of nature, magical things happened in the world of music. One of these was Ryoanji, a singularly beautiful work inspired by a visit ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
Earle Brown: Synergy
by Raul d'Gama Rose
Never quite as celebrated as his New York contemporaries Morton Feldman and John Cage, Earle Brown was, nevertheless, a composer of exceeding brilliance. His music bespoke of breathtaking vistas, informed by his undying love of the New England of his birth as much as it was by his exceptional grasp of the immense fluidity of compositional ...
Joelle Leandre Tentet & Trio: Can You Hear Me?
by Eyal Hareuveni
It is quite rare to find recordings of composed works by French double-bassist Joëlle Léandre. Léandre has gained a justified reputation as an innovative virtuoso of the double-bass, a masterful free improviser, and as an imaginative collaborator, mostly in small, intimate outfits. This double-disc set, with its first half featuring Léandre's composed work for a tentet, ...
Experimentalism Otherwise
by Ian Patterson
Experimentalism OtherwiseBenjamin Piekut 283 pagesISBN: 978-0-520-26850-0University California Press2011 The historical scope of Benjamin Piekut's study of avowedly experimentalist music in Experimentalism Otherwise is confined to what Peikut tantalizingly describes as “four disastrous confrontations within the world of New York experimentalism in 1964." Nevertheless, ...
Bill Anschell: Figments
by C. Michael Bailey
Bill Anschell is a lot of things. He is house pianist and mainstay at Origin Arts, showing up on a wide range of projects. He also contributes to this publication, writing with grace on craft of jazz. But, late at night, he is a musical James Joyce, spinning musical thread off the top of his head. ...
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