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Muhammad Dawjee
Born:
Muhammad was born and raised Pretoria, South Africa. He was never formally educated in music, but grew up surrounded by it - in the Malay choral Gadaat recitals his grandfather used to host on Sundays and tinkering at the piano his grandmother bought for his elder sisters (who were already taking lessons when he was born). Muhammad was selected as a member of the Standard Bank National Schools’ Big Band for the years 2006, 2007 and 2008 at the Standard Bank National Youth Jazz Festival, Grahamstown. The 2008 band, conducted by Shannon Mowday also performed at the Standard Bank Joy of Jazz in Johannesburg. In 2009 he was selected alongside tertiary music students (Sisonke Xonti and others) and local and international professional muscians such as Shannon Mowday, Mike Rossi, Frank Brodahl (Norway) & Arne Hiorth (Norway) to perform as a part of the North Sea Big Band, curated and conducted by Arne Hiorth. In 2010 he was selected as a member of the New South African Orchestra in 2010 alongside emerging young talents Nhlanhla Daniel Mahlangu, Oscar Rachabane and Billy Monama to perform with a collective of South African Legends such as Barney Rachabane, Khaya Mahlangu, Feya Faku directed and conducted by Dr
Carlo Mombelli: Angels and Demons
by Seton Hawkins
One of music's criminally underrated geniuses, South African electric bassist and composer Carlo Mombelli has carved out a most extraordinary performing and writing career in music. Throughout his four decades as a performer, Mombelli has forged one of the most distinctive electric bass approaches in Jazz, established himself as South Africa's most exceptional composer, and has ...
Results for pages tagged "Johannesburg"...
Thandi Ntuli
Born:
Exploring the fullness of who she is – who we are – in her personal and collaborative projects, Thandi Ntuli negotiates a wide palette of sound and genre. This approach is a proud embracing of having grown up with the family lore of a classical singer aunt, after whom she is named; an uncle (Selby Ntuli) who was a member of Afro-rock band Harari; and a grandfather (Levi Godlib Ntuli) who – while living with his young family in 1940s Sophiatown, a cultural hub not unlike 1920s Harlem in New York – fostered among his children a tradition of composing, playing and singing music together. This tradition still lives on.
Givan Lotz and the phenomenal psyche
by Mick Raubenheimer
Givan Lotz is mysterioso. During the course of eight years as a recording and performing artist he has evaded any kind of viable categorization, each new release effortlessly slips free of perceived prior apprehensions. His most recent release, YaW, is the sonic sibling of 2016's MAW, both released through Miami's Other Electricities label.
Kheswa & Her Martians: Meadowlands, Stolen Jazz
by James Nadal
There has not been a more poignant situation in jazz history than that of South Africa, where the pathetic and deplorable conditions of apartheid made “jazz style music" illegal amongst the native people. This of course made jazz musicians outlaws and heroes, and drove the music underground into the townships, where it thrived despite desperate attempts ...
