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421

Article: Album Review

John Zorn: The Crucible

Read "The Crucible" reviewed by Mark Corroto


John Zorn is not one to rest on his laurels. It is probably not possible for Zorn to rest, period. With The Crucible, the fourth installment of his Moonchild band, the saxophonist/composer delivers a recording that will be attractive to both hardcore metal and jazz fans. Twenty years ago Zorn unleashed his band Naked ...

341

Article: Multiple Reviews

Joey Baron: Secrets, I Believe & Live at the Vortex

Read "Joey Baron: Secrets, I Believe & Live at the Vortex" reviewed by Kurt Gottschalk


Mark Feldman / Uri Caine / Greg Cohen / Joey Baron Secrets Tzadik 2009 Daniel Zamir I Believe Tzadik 2008 Julian Siegel Trio Live at the Vortex Basho ...

825

Article: Film Review

Bill Frisell: Solos and Films of Buster Keaton

Read "Bill Frisell: Solos and Films of Buster Keaton" reviewed by John Kelman


In a career which is in 2009 entering its fourth decade in the public eye, guitarist Bill Frisell has fashioned a trajectory like no other. As comfortable playing Hank Williams country tunes as he is a Ron Carter blues, the guitarist has created such a distinctive sound that, even when he's playing a plain old G ...

443

Article: Album Review

John Abercrombie Quartet: Wait Till You See Her

Read "Wait Till You See Her" reviewed by John Kelman


The beauty of working with the same people long-term is it's possible to evolve a cohesive ensemble sound, while still retaining its singular group voice. Guitarist John Abercrombie has been working with violinist Mark Feldman since Open Land (ECM, 1999), but it was when he recruited bassist Marc Johnson and drummer Joey Baron for Cat 'n' ...

364

Article: Album Review

Steve Kuhn Trio w/ Joe Lovano: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Troy Collins


Mostly Coltrane is pianist Steve Kuhn's venerable ode to his onetime employer, John Coltrane, with whom he played for eight weeks in early 1960 at New York City's Jazz Gallery. Kuhn revisits those seminal days without ignoring Coltrane's later period advancements, extrapolating his controversial innovations with rare lyricism and tenderness--a uniquely beautiful tribute unencumbered by nostalgic ...

565

Article: Take Five With...

Take Five With Walter Beltrami

Read "Take Five With Walter Beltrami" reviewed by AAJ Staff


Meet Walter Beltrami:Studied performance and jazz composition at Berklee College of Music. Graduated in performance at Musikhochschule Luzern, CH. Three released CDs as a leader with Philology, CamJazz and Re:think-art records. Won the Luca Flores Jazz Price as best Italian soloist at Barga Jazz 2004 and one of the eight finalists world-wide of the ...

498

Article: Album Review

John Zorn: O'o

Read "O'o" reviewed by Troy Collins


Named after an extinct Hawaiian bird, O'o is the charming follow up to the self-titled debut of composer John Zorn's most accessible project, The Dreamers. Culled from Zorn's inner circle of longstanding collaborators, this all-star sextet of Downtown veterans explores his most tuneful compositions, threading aspects of easy listening, exotica, film soundtracks, surf, and world music ...

1,412

Article: Live Review

Copenhagen Jazz Festival 2009

Read "Copenhagen Jazz Festival 2009" reviewed by Jakob Baekgaard


Copenhagen Jazz Festival Various Venues Copenhagen, Denmark July 3-12, 2009 In a survey conducted recently by the renowned Monocle Magazine (volume 03, issue 25), Copenhagen was selected as the second best city in the world due to its safety, atmosphere, welfare, infrastructure and--one could be tempted to add--its ...

278

Article: Album Review

Steve Kuhn Trio with Joe Lovano: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Dan McClenaghan


The sound of John Coltrane (1926-1967) was a mix of spiritual tranquility and ecstatic fury, sheets-of-sound full force gales and transcendent, tender, Zen-like ruminations from a man intent on communing with God through his music--all of which makes an attempt at communing with Coltrane a nervy quest.Enter pianist Steve Kuhn.In 1960, at ...

310

Article: Album Review

Steve Kuhn: Mostly Coltrane

Read "Mostly Coltrane" reviewed by Stuart Broomer


When John Coltrane left Miles Davis' band at the end of 1959, the first working quartet he formed had Steve Kuhn on piano for gigs at the Jazz Gallery over the first three months of 1960. Here Kuhn pays deeply affecting tribute to Coltrane and his music with Joe Lovano on tenor and tarogato and Kuhn's ...


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