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Album

Live

Label: Waterpipe Records
Released: 2012

4

Article: Album Review

Marcus Goldhaber: Almost Love

Read "Almost Love" reviewed by Ernest Barteldes


On his third album, vocalist and songwriter Marcus Goldhaber presents an eclectic mix of original songs that run the gamut of his musical influences, ranging from pop-inflected ballads to more swinging jazz tunes.The disc opens with “Love Me Tonight," a romantic ballad that sets the tone for almost half of the album, mostly comprised ...

43

Article: Album Review

Tessa Souter: Beyond The Blue

Read "Beyond The Blue" reviewed by Victor L. Schermer


Vocalist Tessa Souter is deservedly becoming treasured among jazz fans and musicians alike. She combines the sonority, vocal range and discipline of a classical lieder soprano with subtle and sultry jazz inflections. Everything she sings is meaningful, well thought out and in good taste. She works with the best instrumentalists and has a consummate grasp of ...

41

Article: Bailey's Bundles

John Pizzarelli and Tessa Souter: Classical Mashups

Read "John Pizzarelli and Tessa Souter: Classical Mashups" reviewed by C. Michael Bailey


The improvisatory nature of jazz provides a myriad of ways to enhance and tweak both the arrangement and performance of the music's canon. One approach being tried is the interpolation of one harmonically or rhythmically related song into another. Guitarist/vocalist John Pizzarelli and vocalist Tessa Souter have produced just such projects in their recordingsDouble Exposure and ...

58

Article: Album Review

Tessa Souter: Beyond The Blue

Read "Beyond The Blue" reviewed by Dan Bilawsky


The mere mention of jazz-classical hybridization may draw scowls from jazz fans who've encountered more than their fare share of ill-conceived projects that trade in on this idea, but vocalist Tessa Souter avoids all the usual pitfalls. Beyond The Blue isn't about joining these worlds at the hip; it's about using the frameworks and melodies of ...

66

Article: Album Review

Ari Erev: A Handful of Changes

Read "A Handful of Changes" reviewed by Edward Blanco


On his previous recording, About Time (CDBABY, 2008), Israeli pianist Ari Erev led a jazz piano trio in a blend of standards featuring the music of Bill Evans. In continuing his exploration of jazz, Erev engineers A Handful of Changes, affirming what he once stated: “My music has evolved during the past few years." With this ...

58

Article: Album Review

Brian Charette: Music for Organ Sextette

Read "Music for Organ Sextette" reviewed by Mark F. Turner


While there've been a few exceptions, many jazz organ-based recordings deliver the same old grind of not deviating too far from the Jimmy Smith or Charles Earland grease and grits format. But not in the case of Brian Charette's Music for Organ Sextette , a release that balances harmonically complex ideas with catchy melodies.

189

Article: Interview

Matt Wilson: Have Drums, Will Travel

Read "Matt Wilson: Have Drums, Will Travel" reviewed by Lawrence Peryer


Drummer Matt Wilson must surely be in the running for the title of hardest-working man in jazz. Wilson is a composer, bandleader, producer and teacher. As a leader, his projects include the Matt Wilson Quartet, Arts & Crafts, Christmas Tree-O and the Carl Sandburg Project. He has been in bands with luminaries such as Joe Lovano, ...

56

News: Performance / Tour

Three Views of a Trio Featuring The Wee Trio, the Joel Frahm Trio & the Danny Fox Trio @ Le Poisson Rouge!

Three Views of a Trio Featuring The Wee Trio, the Joel Frahm Trio & the Danny Fox Trio @ Le Poisson Rouge!

Le Poisson Rouge—February 28, 2012 CD Release Celebration for The Wee Trio Ashes To Ashes—A David Bowie INTRAspective Also featuring the trios of Joel Frahm and Danny Fox. Tues, February 28, 10 PM, $15 Le Poisson Rouge 158 Bleecker St. New York, NY 212 505 FISH ...

80

Article: Live Review

NYC Winter Jazzfest, Day 2: January 7, 2012

Read "NYC Winter Jazzfest, Day 2: January 7, 2012" reviewed by Daniel Lehner


Day 1 | Day 22012 NYC Winter Jazzfest, Day 2New York, NYJanuary 7, 2012 Gregoire Maret The harmonica, like the accordion and other free reed aerophones, doesn't come with as much built-in room for expression as other wind instruments, which is what makes Gregoire Maret's playing so unique. For ...


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