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3

Article: Album Review

Ron Aprea Sextet: Remembering Blakey

Read "Remembering Blakey" reviewed by Edward Blanco


Legendary New York alto saxophonist Ron Aprea is recognized as much for his skills as an arranger, composer, record producer and band leader as he is known for his superb musicianship. On Remembering Blakey, Aprea brings to the fore all of his talents in churning out a monster album that pays homage to the leader of ...

1

Song of the Day

I'll Find You

Album:
By
Label: Smalls LIVE
Released: 0
Duration: 8:55

15

Article: Record Label Profile

Big Jazz on SmallsLIVE

Read "Big Jazz on SmallsLIVE" reviewed by Bob Kenselaar


Since its launch in 2010, the SmallsLIVE record label has been offering a substantial sampling of the outstanding jazz talent consistently featured at Smalls Jazz Club in New York City's Greenwich Village. Musicians who appear on the label range from the great veterans Harold Mabern and Jimmy Cobb to contemporary players at the top of their ...

10

Article: Interview

Conrad Herwig: There's Nothing Else

Read "Conrad Herwig:  There's Nothing Else" reviewed by Bob Kenselaar


Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...

5

Article: Big Band Report

From Charlie Christian to Charlie Parker

Read "From Charlie Christian to Charlie Parker" reviewed by Jack Bowers


It's not often one has a chance to see and hear a dozen of New Mexico's premier jazz musicians together onstage (or almost so) for a single concert, but that is what took place August 11 as an overflow audience welcomed the Charlie Christian Project and SuperSax New Mexico to the Albuquerque Museum of Art and ...

4

Article: Live Review

Richard Sussman Quintet: Nyack, NY, July 22, 2012

Read "Richard Sussman Quintet: Nyack, NY, July 22, 2012" reviewed by David A. Orthmann


Richard Sussman QuintetNyack Jazz Week at the Turning Point CafeNyack, NYJuly 22, 2012Unlike the performance of certain forms of popular music, in which musicians dutifully strive to reproduce perfect versions of tracks from a record, a jazz CD release party proceeds from entirely different expectations. Befitting the music's emphasis on improvisation ...

3

Article: Album Review

Jon DiFiore: Patience

Read "Patience" reviewed by Daniel Lehner


Patience is typically defined as the capacity to tolerate delay without getting upset. This works quite well as a debut album title for New Jersey-born drummer Jon Di Fiore. Patience makes an excellent case for being unhurried, the same way a person might wait to speak to say something worthwhile. Di Fiore's compositions, fleshed out by ...

132

News: Performance / Tour

Jazz Bridge Presents Vibraphonist Randy Sutin at the Collingswood Community Center on May 5th

Jazz Bridge Presents Vibraphonist Randy Sutin  at the Collingswood Community Center on May 5th

To close out the 2010/2011 Jazz Bridge Neighborhood Concerts Series in Collingswood, vibraphonist and composer Randy Sutin will be appearing at the Collingswood Community Center, 30 E. Collings Ave, in Collingswood, NJ, on May 5th with percussionist Gabriel Globus-Hoenich, guitarist Dan Hanrahan, and bassist Justin Sekelewski. Vibes player Randy Sutin was born in Great Falls, Montana, ...

194

Article: Multiple Reviews

It's an Upstate Thing: John Medeski and Lee Shaw; Joe Barna and Sketches Of Influence

Read "It's an Upstate Thing: John Medeski and Lee Shaw; Joe Barna and Sketches Of Influence" reviewed by J Hunter


It's time once again to prove that all the great jazz in New York State isn't all made in New York City. The state capital of Albany has been doing its part for quite some time, and it doesn't stop with its two favorite musical sons: mallets wizard Stefon Harris and baritone saxman Nick Brignola. Here ...

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News: Recording

Marty Sheller and Joe Magnarelli

Marty Sheller and Joe Magnarelli

The history of the jazz trumpet backed by strings probably dates back to Louis Armstrong and the Song of the Islands in 1930. But in those days, strings meant a clutch of violins that sounded more like fiddles than an orchestral backdrop. Harry James began including a full string section starting in 1941, but the effect ...


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