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699

Article: Take Five With...

Take Five With Ian Carey

Read "Take Five With Ian Carey" reviewed by AAJ Staff


Meet Ian Carey: Ian Carey was born in upstate New York, where he was introduced to jazz by a performance by the great Slam Stewart at his elementary school. After studying classical trumpet at the University of Nevada, Ian headed to New York City, where he studied with legends like Andrew Cyrille and Reggie Workman. He ...

1,214

Article: Interview

Joe Locke: Versatile Vibes Master

Read "Joe Locke: Versatile Vibes Master" reviewed by R.J. DeLuke


Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...

801

Article: Interview

Ron McClure: Lookout Farms and New Moons

Read "Ron McClure: Lookout Farms and New Moons" reviewed by Donald Elfman


Bassist Ron McClure has a practical philosophy about what he does. “Making music begins with doing your job," he says. “It's nice if you can be a hot soloist, but do your job first and do it well." These are words that the bassist has lived by for over 40 years in the jazz music business. ...

260

Article: Album Review

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by Dan McClenaghan


Seattle-based tenor saxophonist, Hadley Caliman took a thirty year hiatus from recording before he released Gratitude (Origin Records, 2008). It was an exceptional mainstream set that displayed Caliman's John Coltrane, Dexter Gordon, and Joe Henderson influences, in hints and brief whispers, and reintroduced the saxophonist's own distinctive, full-of-life voicings.With Straight Ahead, he steps out ...

408

Article: Album Review

Joe Zawinul: Money In The Pocket

Read "Money In The Pocket" reviewed by Chris May


Recorded in late 1965, while keyboard player Joe Zawinul was still a member of saxophonist Cannonball Adderley's band, Money In The Pocket is a remarkable album--remarkable in that gives absolutely no hint of the shape shifts that would transform Zawinul's work a few years later. The first of three albums he recorded for Atlantic, it's a ...

358

Article: Album Review

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by John Barron


Seattle-based saxophonist Hadley Caliman returns to the recording studio with his working band for Straight Ahead, the follow-up to his superb Gratitude (Origin, 2008). Aided by trumpeter/producer Thomas Marriott, pianist Eric Verlinde, bassist Phil Sparks and drummer Matt Jorgensen, the 78-year old Caliman charges head-on through a set of standards, jazz classics and original gems.

650

Article: Interview

Joanne Brackeen: Phenomenal Capacity

Read "Joanne Brackeen: Phenomenal Capacity" reviewed by Russ Musto


One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...

484

Article: Live Review

Into the Fire: Winter Jazzfest 2010

Read "Into the Fire: Winter Jazzfest 2010" reviewed by Gordon Marshall


Winter Jazzfest New York, New York January 8-9, 2010 Fast-forward 30 years from the days in the late 1970s and early '80s when the world-weary wisdom that jazz wasn't a living force anymore was whispered to us--maybe you are getting out of jail, maybe waking from a cryogenic sleep. Before this happened, ...

331

Article: Album Review

Erica Lindsay / Sumi Tonooka: Initiation

Read "Initiation" reviewed by Dan McClenaghan


Pianist Sumi Tonooka and tenor saxophonist Erica Lindsay are the leaders on Initiation, having contributed five compositions each. It's the chemistry and the collective organic spontaneity of the whole quartet, however, that moves the sound into the level of top-tier excellence. Bassist Rufus Reid constructs solid, big-sound foundations, and drummer Bob Braye --who, sadly, passed away ...

490

Article: Multiple Reviews

The Art of the Trio: John Patitucci, Kurt Rosenwinkel, Marcus Strickland

Read "The Art of the Trio: John Patitucci, Kurt Rosenwinkel, Marcus Strickland" reviewed by J Hunter


Pianist Brad Mehldau got flak for naming a series of discs “The Art of the Trio." But it really is an art, and no more so than when the lead instrument is not a piano, or any member of the keyboard family. Think about it. Without the myriad capabilities of Mehldau's instrument, a trio's leader must ...


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