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Article: Album Review

Hashem Assadullahi: Pieces

Read "Pieces" reviewed by Mark Corroto


Saxophonist Hashem Assadullahi and his core band returned to the studio to release an exceptionally strong sophomore effort with Pieces. The Texas born-Northwest cured-New York-based musician revealed his penchant for melody on his prior release Strange Neighbor (8bells, 2009). Here he builds upon that foundation with a scattering of themes from pop tunes, avant-garde leanings, and ...

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Article: Album Review

LSD: Trio Colossus

Read "Trio Colossus" reviewed by Greg Simmons


The detective is hunched over the bar, alone in a dark smoky dive by the waterfront. A blond saunters in, backlit through the gloom by the neon beer light.“Don't you remember me?" she asks.“Why no," he mumbles, “I've got a metal plate in my head and I drink too much vodka."

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Article: Album Review

Anders Jormin: Between Always And Never

Read "Between Always And Never" reviewed by Chris Mosey


Anders Jormin leads a remarkably busy life. Bassist with pianist Bobo Stenson's Trio, he has also played with the likes of saxophonists Lee Konitz, Joe Henderson, Charles Lloyd and Joe Lovano, as well as drummers Elvin Jones and Jack DeJohnette. He records under his own name, composes works for symphony orchestras, studies ethnic music in Cuba ...

11

Article: Big Band Report

In Tune or Not in Tune... That Is the Question

Read "In Tune or Not in Tune... That Is the Question" reviewed by Jack Bowers


Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...

5

Article: Live Review

Burghausen Jazz Festival 2013

Read "Burghausen Jazz Festival 2013" reviewed by John Kelman


Burghausen Jazz Festival Burghausen, Germany March 12-17, 2013 Located almost exactly halfway along the border of the province of Bavaria (located in Germany's southeast) and Austria, the town of Burghausen might seem an odd place for a jazz festival, especially one now celebrating its 44th year. But this town of just 18,000 people, ...

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Article: Album Review

The Dave Lalama Big Band: The Hofstra Project

Read "The Hofstra Project" reviewed by Edward Blanco


As an academic, pianist Dave Lalama's resume includes being a founding faculty member of the prestigious Manhattan School of Music Jazz Program, as well as a current professor at Hofstra University where hundreds of students, colleagues and musicians have all been a part of his distinguished professional life. As a musician, his background includes performances with ...

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Article: Album Review

Randy Simon Jazz Project: Nyhavn Live

Read "Nyhavn Live" reviewed by Nicholas F. Mondello


As instrumentalists and established groups explore new musical vistas, there's somewhat of a “safe harbor" in the richness of classic hard bop. Perhaps that's because the repertoire and stylistic formats of drummer Art Blakey and the Jazz Messengers, pianist Horace Silver and the like offer performers significant latitude in terms of groove, melodic and harmonic diversity, ...

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Article: Interview

Conrad Herwig: There's Nothing Else

Read "Conrad Herwig:  There's Nothing Else" reviewed by Bob Kenselaar


Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...

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Article: Album Review

Maucha Adnet & Helio Alves: Milagre

Read "Milagre" reviewed by Dan Bilawsky


Vocalist Maucha Adnet and pianist Helio Alves have been collaborating in various settings for two decades, but Milagre marks their first full-length recording as a twosome. Adnet, who's best known for her decade-long tenure with the great Antonio Carlos Jobim, and Alves, a first call pianist who's worked with everyone from saxophonist Joe Henderson to cellist ...

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Article: Opinion

Death, Rebirth & New Revolution

Read "Death, Rebirth & New Revolution" reviewed by Ian Patterson


The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...


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