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Duduka Da Fonseca Trio: Jive Samba
by Dan Bilawsky
The continually evolving relationship between American jazz and Brazilian music is firm proof that the power of influence often travels in two directions. Todd Barkan's liner notes for Jive Samba touch on this fact by discussing the way that these musical forces have been blending and influencing one another for more than nine decades, going all ...
Bossa Nova
by AAJ Staff
In 1959, an unassuming guitarist/vocalist named João Gilberto from the Brazilian state of Bahia started a quiet revolution with his recordings “Chega de Saudade (No More Blues)" and “Desafinado (Off Key)" on the Odeon label. They featured arrangements by a young native of Rio de Janeiro, Antonio Carlos Jobim. Gilberto's whisper-toned, Afro-Indian-influenced Portuguese vocals complemented his ...
Blue Note's Golden Decade
by John Eyles
Blue Note! For many of us, the words alone are enough to send a tingle down the spine, conjuring up the indefinable magic of a golden age of jazz. What were the elements that made classic Blue Note records so special? The look? The feel? The sound? All of these and more. Alfred Lion's production? Francis ...
ECM Fest at SFJAZZ
by Harry S. Pariser
ECM Fest SFJAZZSan Francisco, CA March 26-29, 2015 In 1969, German record producer Manfred Eicher founded ECM, a label which would change music history. Since then his “Edition of Contemporary Music" imprint has more than lived up to its name, issuing well over a thousand albums by ...
The View from the Back of the Band: The Life and Music of Mel Lewis
by Chris Smith
The following is an excerpt from “Chapter 13: Opening Night at the Village Vanguard" of The View from the Back of the Band: The Life and Music of Mel Lewis by Chris Smith (University of North Texas Press, 2014). In November of 1965, Thad and Mel quickly put together a list of the ...
Samuel Mösching, Joe Giglio, Dave Kain and Juampy Juarez
by Dom Minasi
Welcome to Guitarists Rendezvous, our first installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. We kick of the column with a diverse ...
Michael Brecker: He Can Groove Any Way You Want
by Mike Brannon
This article was originally published at All About Jazz in August 1998. Once one half of the world renown Brecker Brothers and full time studio legend, tenor saxophonist Michael Brecker relinquished that throne to form a group and deliver his own material. Though the Coltrane influence is present in spirit, its simultaneously transcended, skewered even, by ...
A Fireside Chat With Chris Potter
by AAJ Staff
This article was originally published in December 2001.I remember first seeing Chris Potter playing with Paul Motian and most recently with the highly regarded Dave Holland Quintet. His improvement in the two or so years time is nothing short of remarkable. I can only compare his development with Scott Colley, who happens (and not ...
Johnny Griffith: Dance With The Lady
by Edward Blanco
Canadian saxophonist and composer Johnny Griffith is a multi-JUNO Award nominee and leads a vibrant quintet of first-call musicians on their debut recording entitled Dance With The Lady, comprised of nine stellar originals in the contemporary jazz mold exhibiting influences from the great Joe Henderson, Kenny Wheeler, Andrew Hill and Anton Weber among others. Grounded in ...
Linley Hamilton Quintet at Black Box
by Ian Patterson
Linley Hamilton Quintet Black Box Belfast, Ireland March 13, 2015 Since the launch of In Transition (Lyte Records, 2014) at the Brilliant Corners festival last March, the Linley Hamilton Quintet has gigged only sporadically. With members split between Dublin, Port Laoise and Belfast, geography plays its part to a degree. However, ...
