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CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Sisters from Another Jazz Mother? Part 2
by Ludovico Granvassu
You know how scientists say that, statistically, every person has roughly six look-alikes around the world? Well the same seems to be true in the music world, where one can find quite a few songs that appear to be sound-alikes of other compositions we're familiar with... This does not have to be necessarily the result of ...
Chris Oatts: Personalities
by Victor L. Schermer
Saxophonist Chris Oatts is a graduate of the jazz program at Temple University's Boyer College of Music and Dance and the nephew of revered saxophonistand faculty member of Temple UniversityDick Oatts. This reviewer heard Chris Oatts at Chris' Jazz Café (similarity in the names purely coincidental) in September, 2021, with his quintet featuring one of his ...
Horace Silver Quintet: Live New York Revisited
by Chris May
This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which ...
Greg Duncan: Sound Duality
by Troy Dostert
Trumpeter Greg Duncan moved from Chicago to Philadelphia in 2020, and the change of environment brought about more than an altered geography. It gave Duncan the chance to forge some creative partnerships with two new ensembles, both of which are found on Sound Duality. The first, a conventional quartet, utilizes the talents of pianist Tim Brey, ...
Ugly Beauty: Jazz in The 21st Century
by Philip Freeman
The following is an excerpt from Chapter 1, JD Allen: Just Keep Going" from Philip Freeman's Ugly Beauty: Jazz in The 21st Century (ZerO Books, 2022). Queens, New York seems purposely designed to confuse travelers. It's January 2, 2020, a brisk but sunny day, and I'm to meet saxophonist JD Allen at Samurai ...
Take Five with Monday Michiru
by AAJ Staff
Meet Monday Michiru Since her solo album debut in 1991, songstress-flutist Monday Michiru has released albums on an annual basis both as a soloist and collaborator. Known as one of the pioneers of the Japanese acid jazz movement and boasting countless dance floor and radio hits worldwide, Monday's compositional style and repertoire has evolved to that ...
Walt Weiskopf European Quartet: Diamonds and Other Jewels
by Dan McClenaghan
Two distinct types of jazz album have emerged in the difficult Covid pandemic times: the do-it-yourself statements, usually recorded in a home studio, often with internet sound swapping; and the pent-up energy, post-pandemic energy bursts, musicians getting together again after a year or more of minimal in-person collaboration. Diamonds And Other Jewels, from the Walt Weiskopf ...
Festival International de Jazz de Montréal 2022
by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada June 30-July 4, 2022 Like everything else, the Covid-19 pandemic stopped the Festival International de Jazz de Montréal in its tracks. Forced to cancel the 2020 festival, they instead presented a four-day virtual festival online on June 27-30. Another abbreviated ...
Take Five with Matthew Muñeses
by AAJ Staff
Meet Matthew Muñeses Matthew Muñeses is a saxophonist and educator residing in the northwest suburbs of Chicago. In 2011, he received his B.M. in Saxophone Performance at Illinois State University and his M.M. in Jazz Performance at the University of Illinois at Urbana-Champaign in 2013. During this time, Matthew studied with Dana Hall, Chip McNeill, Ron ...


