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Wil Blades: Groooooovin'
by R.J. DeLuke
"I love the blues," says Wil Blades, a Hammond B3 whiz who didn't come to the instrument until he left his hometown of Chicago and was going to college in California. He doesn't remember specific instances of being struck by a blues thunderbolt, but “I remember hearing it. It's part of the feeling I get when ...
Jimmy Smith: A New Sound, A New Star, Vol. 1 and 2 – Blue Note 1512 and 1514
by Marc Davis
Listening to Jimmy Smith's early recordings is like listening to Chuck Berry play “Johnny B. Goode." Today, every rock guitarist from junior high school on knows the riff and can play it by heart. But Chuck Berry did it first, and arguably best. There were no great rock guitar licks before Chuck Berry. He created the ...
Elias Haslanger: Live at the Gallery
by Chris M. Slawecki
Live at the Gallery boasts rollicking, soulful performances of a first-class set list recorded live and hot onstage at a packed jazz club in Austin (Texas) led by Texas native, Austin resident and tenor saxophonist Elias Haslanger and featuring soloists Dr. James Polk (another native Texan and former organist, pianist, writer, arranger and conductor for Ray ...
Musings on Jazz, Blues and the Sabbath
by Chris M. Slawecki
Margie Baker Sings With So Many Stars Consolidated Artists Productions 2014 Margie Baker didn't begin her career as a jazz and blues vocalist in the San Francisco area until she was nearly 40, but she made up for this delayed entry with endurance: She was often featured at the Monterey ...
Mike LeDonne: I Love Music
by Jack Bowers
The uncommonly talented Mike LeDonne continues his transition from piano to Hammond B3, if that is what one may call it, with yet another superb album, the suitably named I Love Music. And while using the organ throughout is a good idea, it is but the first of two, as whenever LeDonne schedules a recording session ...
Brian Charette: Square One
by Mark F. Turner
It is said that imitation is the sincerest form of flattery but that can be a double edged sword with respect to self-expression and individuality. Reverence to past influences such as the pioneering organists Larry Young and Jimmy Smith is commonly heard in many contemporary jazz organ players including New York based Brian Charette who breathes ...
My Blue Note Obsession: A Ridiculous Quest Begins
by Marc Davis
Two years ago, I bought 31 Agatha Christie novels--all at once. Then I wanted more. It didn't seem nutty at the time. My local library sells used books. One day I was in the store and there they were: a set of blue-covered, leatherette books. It was the Agatha Christie Mystery Collection by Bantam ...
Billy Hart Quartet at the Village Vanguard
by Dan Bilawsky
Billy Hart Quartet Village Vanguard New York, NY June 3, 2014 What does it take for an esteemed veteran drummer to get his due as a leader? In the case of the great Billy Hart, it seems that a pair of albums under his name on the ECM imprint--All Our ...
Paul Tynan & Aaron Lington: Bicoastal Colletive: Chapter 4
by Jack Bowers
Trumpeter Paul Tynan and baritone saxophonist Aaron Lington first met more than fifteen years ago when they were grad students at the University of North Texas in Denton. After gigging separately for a few years, they formed the Bicoastal Collective about a decade ago and have been playing and recording together ever since. This could reasonably ...
Interview: Don Andrews Of Spirojazz
Q: Some people, especially those who familiar with progressive-rock albums from the '70s, would expect Space and Alienation as a science-fiction concept record. But Space and Alienation have a deeper meaning on your album, judging from the emotional tone of certain pieces. Is Space and Alienation what we feel from everyday living? In other words, we ...
