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Stanley Turrentine and The 3 Sounds: Blue Hour – 1960
by Marc Davis
Every good record collection has music for many moods. Feeling frantic? Try Dizzy Gillespie or the Ramones. Feel like dancing? Definitely the big bands. Feeling wistful? Maybe Ben Webster or Frank Sinatra. But if you're feeling blue, you need Stanley Turrentine, and Blue Hour is exactly the right prescription. Stanley Turrentine is ...
Hugo Carvalhais: Grand Valis
by Jakob Baekgaard
What happens when modern composition meets jazz in a science fiction universe? The answer is Grand Valis by Portuguese bassist and composer Hugo Carvalhais. Carvalhais tackles the great universal questions of meaning in a musical language. Titles like “Exegesis," “Logos" and “Decoding Maya" point towards the philosophical nature of the music. Carvalhais plays ...
Bruce Lundvall, Longtime Blue Note President, Dies At 79
It's with great sadness that we announce the passing of beloved music man & longtime President of Blue Note Records, Bruce Lundvall. He was 79 years old. The cause was complications from a prolonged battle with Parkinson’s disease. Born in Englewood, New Jersey in 1935, Bruce was a lifelong jazz lover whose passion for the music ...
Dave Stryker: Messin’ with Mister T
by Walter Atkins
Veteran jazz guitarist Dave Stryker's history includes playing and recording with the inimitable Stanley Turrentine from 1986 to 1995.His Messin' With Mister T (Strikezone Records), showcasing Turrentine classics, is a timely testimonial to the accomplished tenor's long career and extensive legacy. The legacy begins in the 50's for Turrentine while performing with adept musicians like Lowell ...
Stanley Turrentine: At the Shack
On April 25, 1960, organist Jimmy Smith recorded for Blue Note with tenor saxophonist Stanley Turrentine and drummer Donald “Duck" Bailey at Rudy Van Gelder's studio in Englewood Cliffs, N.J. Smith handled the bass line with his feet on the organ's pedalboard while the 26-yeat-old Turrentine took the sax solos. The album was Smith's Back to ...
Jimmy Smith: Master of the Hammond B-3
by Mark Sabbatini
Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...
John Coltrane: Blue Train – Blue Note 1577
by Marc Davis
John Coltrane was arguably the greatest jazz musician of the 1950s and '60s. Blue Note Records was arguably the greatest jazz label of the same period. And yet they had almost nothing to do with each other. Except for one album--and it's a classic. Blue Train is one of a handful of ...
Tony Monaco: Furry Slippers
by Chris M. Slawecki
Through nine releases, primarily from his home studio in Columbus, Ohio, Tony Monaco has proved that he's a solid link in the hip Hammond B-3 organ chain that reaches from contemporaries such as Wil Blades and Joey DeFrancesco all the way back to Jimmy Smith and other founders of the Hammond groove. At a recent Java ...
Various Artists: Verve The Sound of America: The Singles Collection
by Marc Davis
Verve is one of the greatest labels in the history of jazz, and Norman Granz was one of jazz's greatest producers. So why is The Sound of America: The Singles Collection such a mess of a box set? This had such great promise. After all, Verve was home to many legendary performers: Ella Fitzgerald, ...
Checking in from Global Outposts
by Chris M. Slawecki
Atlas Maior Palindrome Self Produced 2014 Open the package for Atlas Maior's debut CD and here's the first line you read: “Palindrome was completely improvised and recorded live with no overdubs." How you respond to these words will greatly shape how you respond to this music. A ...
