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The Emergence of Jimmy Lyons
by Robert Levin
[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing ...
Cecil Taylor at the Take 3, 1962-'63
by Robert Levin
[Editor's Note: Excerpted and adapted from a work-in-progress, Going Outside: A Memoir of Free Jazz & the '60s] In the summer of 1962, Cecil lands a three-month, four-night-a-week gig at The Take 3, a coffee house on Bleecker Street. It's right next door to The Bitter End where Woody Allen had performed just ...
Drummer Paul F. Murphy Interviewed at AAJ
Legendary drummer Paul F. Murphy has been involved with the high end of improvised music since the mid-1970s in San Francisco. He is most closely associated with the avant-garde of the '70s, '80s and '90s as a 12-year member of alto saxophonist Jimmy Lyons' band and a leader of several of his own groups, including Trio ...
Paul F. Murphy: Playing Universally
by Dominic Fragman
Legendary drummer Paul F. Murphy has been involved with the high end of improvised music since the mid-1970s in San Francisco. He is most closely associated with the avant-garde of the '70s, '80s and '90s as a 12-year member of alto saxophonist Jimmy Lyons' band and a leader of several of his own groups, including Trio ...
Sabir Mateen: URDLA XXX
by John Sharpe
It must have been some surprise when Sabir Mateen, already playing, strode into the centre of URDLA, the Parisian engraving workshop where a hundred guests were convened for a celebration of its 30th anniversary. Mateen had been commissioned as a special guest to appear on the stroke of midnight. Solo concerts are not the rite of ...
Dave Rempis / Frank Rosaly: Cyrillic
by Troy Collins
Since 2004, the duo of saxophonist Dave Rempis and drummer Frank Rosaly has committed to exploring the textural, tonal and rhythmic possibilities of spontaneous improvisation, drawing upon a rich legacy of similar pairings for its studio debut, Cyrillic. Chicago scene regulars whose congenial rapport has been honed in The Rempis Percussion Quartet and The Ingebrigt Haker ...
John Butcher & Mark Sanders / Alex Ward & Roger Turner / John Tchicai & Tony Marsh: Treader Duos
by John Eyles
These three contrasting reeds/drums duos are a fine record of the concert at which they were recorded, in February 2008 at St Giles-in-the-Fields church, London. Each of the three tracks lasts about twenty five minutes, long enough for the duos to give a good account of themselves. The three tracks give an opportunity to hear some ...
Bill Dixon: In Medias Res
by Clifford Allen
Trumpeter and composer Bill Dixon is one of those rare figures in creative music who was both there as it took its initial steps and currently remains at the forefront of contemporary improvisation. In the last two years, he has directed or co-led orchestral configurations and recorded and performed with hand-picked small groups of international renown. ...
Marco Eneidi: Still Here
by Taran Singh
Alto saxophonist Marco Eneidi is one of contemporary creative music's unsung heroes. He studied with Jimmy Lyons and Sonny Simmons and has played and recorded with illustrious musicians including Bill Dixon, Cecil Taylor, William Parker and Glenn Spearman.Each of his albums is a special treat. Despite a significant discography ranging from trio to large ...
