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Wandering Visions: The 2011 Vision Festival
By Steve Dalachinsky “a paradise of flowers where peace might build her nest." —Percy Shelly For 16 years the Vision Festival has led a nomadic existence. Wandering from one venue to another, this brave band of Visionaries,which I am proud to be a part of, with the ever present, stalwart & persistent Patricia Nicholson Parker at ...
Bobby Zankel: Peaceful Jazz Warrior
by Victor L. Schermer
For many decades, Philadelphia has been home to a cadre of multi-generational jazz musicians who go on year-after-year composing, arranging and performing some of the best, highest level music to be heard anywhere. This tradition is exemplified in no better way than by alto saxophonist, composer and bandleader Bobby Zankel. Zankel apprenticed with legendary ...
Eric Zinman: The Piano as Endangered Species
by Brian Wrentham
For over twenty years, pianist/composer Eric Zinman has been crafting his own approach to his instrument, since meeting trumpeter Bill Dixon in the '80s. He views himself as an ensemble player, who plays to include; in addition to his own writing, his trio disc, Eric Zinman Ensemble (Cadence, 2006), features short pieces by John Voigt, Laurence ...
Vision Festival 2010: Day 6, June 28, 2010
by John Sharpe
Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7Marilyn Crispell, Joelle Leandre, Roy Campbell, Mat Maneri, Wadada Leo Smith, Gunter “Baby" Sommer, Joe Morris, Mike ReedVision FestivalAbrons Arts CenterNew York CityJune 28, 2010With only ...
Robert Levin: The War is Over - A Conversation About Jazz
by AAJ Staff
[Editor's Note: Interview conducted by Eleanor Brietel, New York Editor of The Drill Press. Most of this interview, originally published on the Buzzle website, was conducted via email.] Eleanor Brietel: You've published fiction and you also write essays on a variety of subjects. I want, however, to confine this discussion to your ...
Cecil Taylor: This Music is the Face of a Drum
by Robert Levin
The following is a chapter from “Going Outside: Fiction * Commentary * Jazz." robert-levin.com.As an artist-in-residence at the University of Wisconsin, Cecil Taylor has finally been able to realize a long-held ambition--the command of a large orchestra. Comprised of fifteen of his students (and augmented by Jimmy Lyons, Sam Rivers, Leroy ...
Free Jazz: The Jazz Revolution of the '60s
by Robert Levin
The following is a chapter from the book “Going Outside: Fiction * Commentary * Jazz." robert-levin.com. [Editor's note: Revised and expanded here, this piece originated as an oral essay for an installment of the Cosmoetica Omniversica internet radio series on the arts and sciences. The series was hosted by Dan Schneider and Art Durkee.] ...
The Emergence of Jimmy Lyons
by Robert Levin
[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing ...
Cecil Taylor at the Take 3, 1962-'63
by Robert Levin
The following is a chapter from “Going Outside: Fiction * Commentary * Jazz." robert-levin.com. In the summer of 1962, Cecil lands a three-month, four-night-a-week gig at The Take 3, a coffee house on Bleecker Street. It's right next door to The Bitter End where Woody Allen had performed just weeks ...
Drummer Paul F. Murphy Interviewed at AAJ
Legendary drummer Paul F. Murphy has been involved with the high end of improvised music since the mid-1970s in San Francisco. He is most closely associated with the avant-garde of the '70s, '80s and '90s as a 12-year member of alto saxophonist Jimmy Lyons' band and a leader of several of his own groups, including Trio ...
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