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Tim Hegarty: Tribute
by Dan Bilawsky
Tim Hegarty's Tribute is an audible panegyric on the great saxophonist-composers. It's a well-crafted, straightforward date that highlights Hegarty's love for those who've come before and the work that they've done on paper and on record. The list of saxophonists that Hegarty has studied includes George Coleman, Jimmy Heath, Frank Foster, Joe Henderson, ...
The Power of Jazz
by John Wesley Reed Jr.
"Jazz has the power to make men forget their differences and come together...Jazz is the personification of transforming overwhelmingly negative circumstances into freedom, friendship, hope, and dignity." Spoken by Quincy Jones at the First International Jazz Day in 2012 at the United Nations. The soul of Jazz is expressed in the life of its ...
Jazz Orchestra of Philadelphia: “Comin’ Home” Concert at the Kimmel Center
by Victor L. Schermer
Jazz Orchestra of Philadelphia Kimmel Center for the Performing Arts Verizon Hall Philadelphia, PA January 7, 2014 Fresh out of the starting gate, the highly touted Jazz Orchestra of Philadelphia (JOP), Terell Stafford, Artistic Director, held its first gala concert at a major venue, the Kimmel ...
Jazz Orchestra of Philadelphia "Comin' Home" Event at Kimmel Center set for January 7th!
Terell Stafford, Artistic Director With Wynton Marsalis, Jimmy Heath, Kenny Barron, Randy Brecker, Bill Cosby and more Verizon Hall Tuesday, January 7, 7:30pm The Jazz Orchestra of Philadelphia (JOP) is rousing in the new year with its Grand Gala Fund Raising Concert. JOP is dedicated to honoring, presenting and continuing Philadelphia's unparalleled jazz legacy through performance ...
The Newly Minted Jazz Orchestra of Philadelphia
by Victor L. Schermer
The newly minted Jazz Orchestra of Philadelphia is an exciting, ambitious project co-founded by renowned trumpeter and Temple University educator Terell Stafford and intrepid jazz supporter Deena Adler, Odean Pope's manager. The Orchestra has already made waves in the Philly jazz community through its two performances in the Courtyard of City Hall, symbolizing its close connection ...
Mike Longo and the New York State of the Art Jazz Ensemble: Live From New York!
by Dan Bilawsky
When trumpet titan Dizzy Gillespie left this earth he left no shortage of disciples behind. His now-legendary peers (i.e. saxophonists Jimmy Heath and Benny Golson), a cadre of killer Cubans (Arturo Sandoval, multi-reedist Paquito D'Rivera, pianist Gonzalo Rubalcaba, etc.) and a pride of young lions all worked with him, learned from him, and sang his praises, ...
Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz
by S. Duncan Reid
The following is an excerpt from the “Reaching for the Skye" chapter of Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz by S. Duncan Reid (McFarland, 2013). Tjader had reached the East Coast by November and on November 17, he arrived at Van Gelder Studio for a session ...
Adam Rongo: Tell Your Story
by Edward Blanco
Young saxophonist Adam Rongo introduces himself to a national audience on the appropriately-titled Tell Your Story, delivering a sparkling debut of straight ahead post-bop material featuring a seasoned cast of players superbly interpreting a selection of new and exciting cover tunes--all telling a musical story that is unfolding quite nicely. Originally from Essexville, Michigan, and coming ...
Bassist Madison Rast In Cheltenham PA, Wed. December 4th
The Jazz Bridge first Wednesdays Neighborhood Concerts Series at the Cheltenham Center for the Arts, 439 Ashbourne Road in Cheltenham PA, presents bassist Madison Rast on Wednesday, December 4th. Showtime is 7:30 p.m., tickets are $10/$5 for students, and are only available at the door. For info: 215-517-8337 or visit Jazz Bridge. In a region populated ...
Jimmy Heath Opens The TD James Moody Democracy Of Jazz Festival
Jazz commands a certain amount of reverence for the God-given talents of its best practitioners, so a house of worship is where NJPAC’s TD James Moody Democracy of Jazz Festival each year unfolds its first concert like an opening prayer. And it might go something like this: For what we are about to receive—a fine headful ...
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