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192

Article: Big Band Report

Big Band Jazz: It's Not Just for Guys Anymore

Read "Big Band Jazz: It's Not Just for Guys Anymore" reviewed by Jack Bowers


Back in the early '90s, Stanley Kay, one-time back-up drummer for the incomparable Buddy Rich, later a manager of such artists as Maurice Hines, Michelle Lee and Paul Burke and the entertainment director for the New York Yankees, had a good idea: the time had come, he reasoned, to assemble an all-woman big band that would ...

418

Article: Extended Analysis

Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64

Read "Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64" reviewed by John Kelman


The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...

207

Article: Interview

Quentin Moore: Portrait of the Artist as a Young Man

Read "Quentin Moore: Portrait of the Artist as a Young Man" reviewed by Chris M. Slawecki


Much has been recently written about the “graying" of jazz and the audience who listens to it, young musicians seem to continually discover (and rediscover) its enduring value--and not just the value of jazz as its own standalone genre, but the benefit of incorporating aspects of jazz, such as improvisation and arrangement, into music of every ...

238

Article: Big Band Report

Jack's Gone! No He Isn't; Yes He Is; No He Isn't...!

Read "Jack's Gone! No He Isn't; Yes He Is; No He Isn't...!" reviewed by Jack Bowers


As I sat down to write this month's column, word came that trumpeter Jack Sheldon had died. No sooner had I written a few words about that when word came that trumpeter Jack Sheldon had not died. After some back-and-forth on the internet (is he or isn't he?), the last report, it seems, was the true ...

232

Article: Album Review

Evan Weiss: Math or Magic

Read "Math or Magic" reviewed by David Rickert


Combining jazz improvisation and classical composition has been an irresistible idea for many--an intellectual problem promising that, perhaps, the result will combine the best qualities of both. However, in practice, the third stream movement has largely been an indication of boring, pretentious recordings to avoid. But then a guy like Evan Weiss comes along with his ...

253

Article: Live Review

Inntoene Festival: Diersbach, Austria, June 10-12, 2011

Read "Inntoene Festival: Diersbach, Austria, June 10-12, 2011" reviewed by Sebastian Scotney


Inntoene Festival 2011 Diersbach, Austria June 10-12, 2011 I overheard a conversation at the Inntoene Festival in Austria. In a mock-incredulous tone, one New York musician was asking another: “Straight up. You're telling me. That this whole farm place. Is owned. By a trombonist?!“ Cue laughter and the ...

200

Article: Big Band Report

Gold Medalists Abound at Big Band Olympics

Read "Gold Medalists Abound at Big Band Olympics" reviewed by Jack Bowers


As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's “Big Band Olympics," which ...

373

Article: Take Five With...

Take Five With Benjamin Drazen

Read "Take Five With Benjamin Drazen" reviewed by AAJ Staff


Meet Benjamin Drazen: Benjamin Drazen is a native New Yorker, and grew up in Roslyn, NY. He got his frist great jazz saxophone education from the late great Dave Burns. (Dave was a master trumpeter with the Dizzy Gillespie and Duke Ellington Orchestras as well as leading his own groups) A graduate of the ...

404

Article: Take Five With...

Take Five with Max Johnson

Read "Take Five with Max Johnson" reviewed by AAJ Staff


Meet Max Johnson:Max Johnson is a New York-born bassist, composer, and bandleader best known for his work in New York's free jazz and bluegrass scenes. He has played with numerous artists including Anthony Braxton, Candido Camero, Henry Grimes, Perry Robinson, Vernon Reid, William Parker, and countless others.Instrument(s):Bass.Teachers and/or ...

164

Article: Album Review

The Jimmy Giuffre 3: 7 Pieces

Read "7 Pieces" reviewed by Greg Simmons


Fame can be fickle, meaning that someone like Jimmy Giuffre can fade into relative obscurity, remembered and appreciated by fellow musicians and a few hardcore jazz fans, while never having reached into the broader public consciousness in any measurable way. As a multi-reed artist, Giuffre was certainly one of the most original and creative ...


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