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Big Band Jazz: It's Not Just for Guys Anymore
by Jack Bowers
Back in the early '90s, Stanley Kay, one-time back-up drummer for the incomparable Buddy Rich, later a manager of such artists as Maurice Hines, Michelle Lee and Paul Burke and the entertainment director for the New York Yankees, had a good idea: the time had come, he reasoned, to assemble an all-woman big band that would ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...
Quentin Moore: Portrait of the Artist as a Young Man
by Chris M. Slawecki
Much has been recently written about the graying" of jazz and the audience who listens to it, young musicians seem to continually discover (and rediscover) its enduring value--and not just the value of jazz as its own standalone genre, but the benefit of incorporating aspects of jazz, such as improvisation and arrangement, into music of every ...
Jack's Gone! No He Isn't; Yes He Is; No He Isn't...!
by Jack Bowers
As I sat down to write this month's column, word came that trumpeter Jack Sheldon had died. No sooner had I written a few words about that when word came that trumpeter Jack Sheldon had not died. After some back-and-forth on the internet (is he or isn't he?), the last report, it seems, was the true ...
Evan Weiss: Math or Magic
by David Rickert
Combining jazz improvisation and classical composition has been an irresistible idea for many--an intellectual problem promising that, perhaps, the result will combine the best qualities of both. However, in practice, the third stream movement has largely been an indication of boring, pretentious recordings to avoid. But then a guy like Evan Weiss comes along with his ...
Inntoene Festival: Diersbach, Austria, June 10-12, 2011
by Sebastian Scotney
Inntoene Festival 2011 Diersbach, Austria June 10-12, 2011 I overheard a conversation at the Inntoene Festival in Austria. In a mock-incredulous tone, one New York musician was asking another: Straight up. You're telling me. That this whole farm place. Is owned. By a trombonist?! Cue laughter and the ...
Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's Big Band Olympics," which ...
Take Five With Benjamin Drazen
by AAJ Staff
Meet Benjamin Drazen: Benjamin Drazen is a native New Yorker, and grew up in Roslyn, NY. He got his frist great jazz saxophone education from the late great Dave Burns. (Dave was a master trumpeter with the Dizzy Gillespie and Duke Ellington Orchestras as well as leading his own groups) A graduate of the ...
Take Five with Max Johnson
by AAJ Staff
Meet Max Johnson:Max Johnson is a New York-born bassist, composer, and bandleader best known for his work in New York's free jazz and bluegrass scenes. He has played with numerous artists including Anthony Braxton, Candido Camero, Henry Grimes, Perry Robinson, Vernon Reid, William Parker, and countless others.Instrument(s):Bass.Teachers and/or ...
The Jimmy Giuffre 3: 7 Pieces
by Greg Simmons
Fame can be fickle, meaning that someone like Jimmy Giuffre can fade into relative obscurity, remembered and appreciated by fellow musicians and a few hardcore jazz fans, while never having reached into the broader public consciousness in any measurable way. As a multi-reed artist, Giuffre was certainly one of the most original and creative ...


