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Mark Helias: Fictionary
by Jim Santella
A creative composer and bassist, Mark Helias gathers familiar harmonies and fresh melodies, combines them with checkered rhythms, and produces music guaranteed to hold your interest. Fictionary was recorded at performances in the Netherlands for the Groningen Jazz Festival and the Nijmegen Music Meeting in 1995 and '96, respectively. The quartet, which combines Ellery Eskelin's tenor ...
Pat Martino: Stone Blue
by Jim Santella
Guitarist Pat Martino exhibits his long-standing appreciation for the urban lifestyle of New York City and Philadelphia on his latest album Stone Blue. That cocky feeling of self-assurance one develops from living and working in the city gives rise to strutted rhythms, deliberate tempos, and melodies that range from sixteenth-note-laden confetti clusters to dreamy skyborne shouts. ...
Quartette Indigo: Quartette Indigo
by Jim Santella
A string quartet implies precision and complete adherence to a written manuscript. Quartette Indigo, however, combines the sentiment of the blues with composed jazz music, both improvised and arranged. Cellist Akua Dixon Turre leads the quartet. Her sister Gayle Dixon plays violin, and John Blake plays the second violin part. The three have been together for ...
Russell Gunn: Young Gunn Plus
by Jim Santella
Recorded in 1994 when young lion Russell Gunn was a mere 23 years old, the Muse album Young Gunn is a quintet session with tenor saxophonist Sam Newsome, pianist John Hicks, bassist Peter Washington, and drummer Cecil Brooks III. This 32 Jazz reissue adds three tracks with a different quintet. Coming from a background that like ...
Ken Peplowski: Grenadilla
by Jim Santella
Ken Peplowski shares his clarinet artistry on Grenadilla, his 15th album as leader for Concord Records; the title comes from the particular type of wood used in making most clarinets. Working with the mainstream piano trio of Ben Aronov, bassist Greg Cohen and drummer Chuck Redd, Peplowski presents an eclectic session. Guitarist Howard Alden guests on ...
The New Birth Brass Band: D-Boy
by Jim Santella
The sound of tuba and marching drums echoing through the streets of New Orleans must have made quite an impression on the forefathers of jazz. A tight unit, the New Birth Brass Band blends trumpet, trombone and tuba melodies with basic percussion rhythms and adds in a side order of fun. Each member of the ensemble ...
James Andrews: Satchmo Of The Ghetto
by Jim Santella
With Allen Toussaint and Dr. John backing him on organ and piano, James Andrews presents the kind of fun-loving music that takes place in Preservation Hall. Not one to employ etude drills or carefully-articulated tonguing exercises, the trumpeter remains loose and lyrical. Similarly, his singing has roots in blues and trad jazz; it's music intended to ...
Bireli Lagrene: Blue Eyes
by Jim Santella
This straight-ahead jazz session from guitarist Bireli Lagrene, pianist Maurice Vander, bassist Chris Minh Doky, and drummer Andre Ceccarelli features songs identified with Frank Sinatra. It was recorded in June 1997 as a tribute to the singer who influenced each of the quartet's members as they were growing up and listening to music from all around ...
Allen Toussaint: Connected
by Jim Santella
With roots in both Gospel and Ragtime, New Orleans singer-pianist Allen Toussaint has assembled an enjoyable session that appeals to a broad audience. From an outsider's point-of-view, Toussaint's ensemble shares that Crescent City mystique" espoused by Dr. John, The Neville Brothers, The Dirty Dozen & New Birth Brass Bands, and others. While this session combines folk, ...
Nicholas Payton: Payton's Place
by Jim Santella
Think of all the great jazz quintets over the years that have used trumpet, tenor saxophone, piano, bass, and drums. They're at the core of the answer to the What is Jazz?" question, and Nicholas Payton's fourth release as leader honors that tradition. Along with tenor saxophonist Tim Warfield, pianist Anthony Wonsey, bassist Reuben Rogers and ...


