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Don Thompson & Rob Piltch: Bells... Now and Then
by Pierre Giroux
Multi-instrumentalist Don Thompson and guitarist Rob Piltch are two Canadian musicians who, in 1981 and 1982, recorded an album entitled Bells for the Umbrella label. The material has been remastered and reissued as Bells...Now and Then, bookended by two new recordings of compositions by Thompson. Don Thompson has been a highly-regarded part ...
Lage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...
Eleonora Strino: Leading The Way
by Ian Patterson
Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...
James Sherlock: The Verb Not The Noun
by Ian Patterson
James Sherlock's eighth album as leader sees the Melbourne-based guitarist return to the trio format for the first time since Domestic Arts (Jazzhead, 2010). Where that album was predominantly standards-weighted--a gorgeous version of The Strangler's “Golden Brown" apart--this one, Sherlock's first with bassist Sam Anning and drummer Danny Fischer, showcases his songwriting chops as much as ...
Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, ...
Fabrizio De André secondo Luigi Viva
by Libero Farnè
Numerose sono state le interviste che ho effettuato negli ultimi decenni: ovviamente a molti jazzisti, dai maestri assoluti ai giovani emergenti, ma anche a danzatori, artisti, attori, compositori di musica contemporanea... Ho ritenuto utile inoltre dedicare una serie di interviste ai direttori artistici di importanti festival jazz, italiani e stranieri. È questa la ...
Frank Kohl: Pacific
by Bill Milkowski
An old adage maintains that New York City is the Jazz capital of the world. While that may still ring true, there are fertile jazz scenes scattered all over the country where plenty of potent players have been flying under the radar. Seattle guitarist Frank Kohl, who has been quietly going about the business of making ...
Vin Venezia: The Venetian
by Jack Bowers
Vin Venezia won't blow your mind or even knock your socks off--that's simply not his style. The New Jersey-based guitarist will, however, lure you into his orbit with the sort of smooth and mellow sounds and precisely articulated phrases often associated such masters as Jim Hall, Wes Montgomery, Joe Pass and others who blazed a trail ...
Lage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...
