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Peripheral Vision: Sheer Tyranny Of Will
by Dave Wayne
One must wonder what chance a group of relatively unknown Canadian jazz musicians playing complicated original tunes has for any sort of recognition or commercial success in the US. If musical quality was the sole determinant, Peripheral Vision, the relatively unknown Canadian band in question, would be celebrities, set for life. They've unleashed a corker of ...
Checking in from Global Outposts
by Chris M. Slawecki
Atlas Maior Palindrome Self Produced 2014 Open the package for Atlas Maior's debut CD and here's the first line you read: “Palindrome was completely improvised and recorded live with no overdubs." How you respond to these words will greatly shape how you respond to this music. A ...
Ed Bickert: Canada's Secret
Canadian jazz artists don't get enough respect. American fans swoon over Belgians (Bobby Jaspar), French (Martial Solal), British (Tubby Hayes) and even Argentines (Gato Barbieri). But when it comes to Canada, many jazz fans yawn, viewing them as doppelgängers at best, or pale comparisons to U.S. jazz musicians. The problem has always been that Canadian jazz never ...
Samuel Mösching, Joe Giglio, Dave Kain and Juampy Juarez
by Dom Minasi
Welcome to Guitarists Rendezvous, our first installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. We kick of the column with a diverse ...
John Abercrombie: Characters
by John Kelman
John Abercrombie CharactersECM Records1978 Guitarist John Abercrombie's emergence as a guitarist of singularity seems, in retrospect to have happened very quickly. A band member in the horn-driven jazz-rock band Dreams alongside drummer Billy Cobham and the Brecker Brothers, as well as stints with fusion keyboardist Barry Miles, saxophonist Gato Barbieri and ...
A Fireside Chat With Chris Potter
by AAJ Staff
This article was originally published in December 2001.I remember first seeing Chris Potter playing with Paul Motian and most recently with the highly regarded Dave Holland Quintet. His improvement in the two or so years time is nothing short of remarkable. I can only compare his development with Scott Colley, who happens (and not ...
Why Everybody Digs Bill Evans
by Mark Sabbatini
Arguably the greatest jazz pianist of the 1960s and '70s, Bill Evans is generally acknowledged as the most influential pianist since Bud Powell and a primary influence on players such as Keith Jarrett and Chick Corea. Evans co-wrote Kind Of Blue with Miles Davis and some consider the pianist's Sunday At The Village Vanguard the best ...
Fabio Selvafiorita: Fleurs d’X – Quaderni I-II-III
by Alberto Bazzurro
Quarantaquattro microbrani, svarianti dai 23" ai 2'50," compongono questo album firmato dal quarantaduenne autore milanese Fabio Selvafiorita e affidato alla chitarrista Elena Casoli. I tre quaderni che li comprendono coprono il quinquennio 2007/2012, mentre l'incisione risale al marzo 2013. L'approccio alla materia è volutamente (almeno così ci fa sapere Selvafiorita, in altre circostanze ...
Hall, Pass and Alexander
The late 1960s and early 1970s are often viewed as jazz's skid row—a depressed time when rock, pop and soul came to dominate the music scene and the present and future seemed hopelessly grim for aging improvisers. The truth is not all jazz albums then were pop hybrids or jazz-rock experiments. Three examples of jazz brilliance ...
Kevin Fort: Red Gold
by Edward Blanco
Chicago-based educator and jazz pianist, Kevin Fort unveils his debut and first solo album on Red Gold, where he presents an exciting session of light contemporary jazz employing a standard piano trio to document fresh new arrangements of several standards and three original compositions. An active musician in Chicago's vibrant jazz scene for the past fifteen-years, ...
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