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Fabrizio Sotti Trio: Forty
by James Nadal
As jazz guitar continues to evolve with the introduction of modern influences, some of the more distinguished players are going back to basics. Acknowledged as a remarkable accompanist who can cross genres at will, Fabrizio Sotti has also established himself as genuine guitar stylist. Forty is his fourth release as leader, which represents not only a ...
Center City Jazz Fest: Five Years Strong
by Geno Thackara
Center City Jazz Festival Philadelphia, PA April 30, 2016 “The Fifth Annual Center City Jazz Festival is officially sold out!" Thus tweeted a spokesperson from @ccjazzfest two days before the start of Philadelphia's annual celebration (most likely its founder, local trombonist Ernest Stuart). I'm not sure if there was any backup plan ...
Rolf Sturm: Young
by Jack Bowers
Albums featuring a lone instrument are often the most difficult to review, especially if the writer is not a musician. After commenting on technique, sound and musical selections, what more is there to say? It is even more troublesome when said instrument is a guitar, as there are legions of virtuosos on the scene today, both ...
Preston Glasgow Lowe: Preston Glasgow Lowe
by Roger Farbey
Don't let the triple-moniker business-like name fool you, these ain't no suits and this is an excellent start for PGL's eponymous debut album. A flurry of repeated shimmering phrases introduces “Colour Possesses" which shortly after its brief guitar opening evolves into multi-tracking embellished with programmed synthesizer, leading to a resonance of Robert Fripp and the League ...
Dave Stryker: Soulful Sound
by R.J. DeLuke
Guitarist Dave Stryker carries a soulful sound that took root in his early years in Nebraska, where he played the blues before finding his way into the world of Grant Green, Wes Montgomery and Pat Martino. More was added to the recipe when, after moving to New York City, he earned his way into the real-time ...
Roberto Cecchetto e il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Roberto Cecchetto: È quello di lasciarsi semplicemente ascoltare. Non amo definire la mia musica da un punto di vista stilistico ma se dovessi farlo la metterei sicuramente in una galassia jazz. AAJI: La qualità che desidero nei musicisti che suonano con me.
Franco Cerri: One, Two, Three, Quartet
by Angelo Leonardi
Ascoltare Franco Cerri è sempre un grande piacere. L'uscita di questo disco coincide con il suo novantesimo compleanno e celebra i 70 anni di una carriera prestigiosa, che l'ha visto affermarsi tra i massimi chitarristi europei e lasciare un segno profondo nel nostro panorama musicale, anche oltre l'ambito del jazz. L'incisione è stata propiziata ...
Julian Lage: Arclight
by Troy Collins
Julian Lage's star has been on the rise since the premiere of Julian at Eight--the award winning 1997 documentary short about the precocious guitar prodigy's childhood years. Since then, Lage has become a key collaborator to modern masters like Gary Burton, Jim Hall and Fred Hersch. Lage's widely acclaimed virtuosity is uncontestable, yet he remains a ...
Francesco Diodati e il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Francesco Diodati: In continua evoluzione e trasformazione. AAJ: La qualità che desidero nei musicisti che suonano con me. F.D.: La voglia di rischiare e mettersi in gioco. La propensione a suonare con gli altri, per la musica ...
Hristo Vitchev Quartet: In Search of Wonders
by Karl Ackermann
Only in his mid-thirties, Hristo Vitchev has led or co-led eight releases; three previous albums with the core of this quartet. With each outing representing a creative and additive progression that should rightfully place him in the class of guitarist/composers that span skill sets from Jim Hall to Pat Metheny, Vitchev is overdue in finding a ...
