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Results for "Jim Eigo, Jazz Promo Services"
Ron Jackson: Flubby Dubby
by Edward Blanco
New York-based urban guitarist Ron Jackson blends his soulful jazz sound with elements of R&B, funk and even a touch of the Caribbean mood on Flubby Dubby, his sixth album as leader. Leading his classic organ trio, also featuring organist Kyle Koeler and drummer Otis Brown III, the album was recorded live at Cecil's Jazz Club ...
NYJAZZ Initiative: Mad About Thad
by Raul d'Gama Rose
Mad About Thad is a superb homage to the man Charles Mingus once called “Bartók with valves." Thad Jones--middle brother of the Pontiac, Michigan dynasty that produced pianist Hank Jones and his younger brother, drummer Elvin Jones--was one of the true unsung geniuses of the trumpet. He was also less frequently recognized as a composer, except ...
Alexis Parsons: Alexis Parsons
by Dan Bilawsky
Chicago-born/New York-bred vocalist Alexis Parsons has often worked with trios, but pares down the instrumental backing for this self-titled release. Alexis Parsons presents eight numbers that pair the singer with piano ace Frank Kimbrough, whose classy, top-shelf accompaniment, combined with Parsons' lovely and occasionally languorous vocals, bring a pleasant, sleepy quality to this music.
Jason Kao Hwang / EDGE: Crossroads Unseen
by Troy Collins
Crossroads Unseen is violinist Jason Kao Hwang's third release with his all-star ensemble, EDGE, following Stories Before Within (Innova, 2007) and its 2006 self-titled debut (Asian Improv). Exploring uncharted territory between chamber music, jazz improvisation and traditional East Asian forms, EDGE boasts some of New York City's finest improvisers, including stalwart contrabassist Ken Filiano, rising cornetist ...
Jason Kao Hwang / EDGE: Crossroads Unseen
by Karl Ackermann
Composer/violinist, Jason Kao Hwang has been firmly establishing his credentials in free jazz since his quartet, EDGE, released its self-titled debut (Asian Improv, 2006). His résumé includes work with genre luminaries William Parker, Anthony Braxton, and Henry Threadgill. There are inevitable comparisons to Billy Bang, with whom Hwang has also played, but the two masters typically ...
Kevin Crabb: Waltz For Dylan
by Dan Bilawsky
Drummer Kevin Crabb's name resonates most in drumming and education circles, but this album is all about his playing and composing. When the Los Angeles-based drummer isn't busy teaching, or espousing the virtues of his former teachers in articles for Modern Drummer magazine or elsewhere, he gets behind the kit and puts his extensive musical knowledge ...
Charlie Apicella & Iron City: The Business
by Edward Blanco
Guitarist Charlie Apicella & Iron City get down to the gritty business of delivering variations of funk and soul jazz on The Business, a well-crafted, vibrant grind of guitar-organ sounds supported by percussion and saxophone voices in an exciting quintet format. Though Apicella's playing style has been compared to that of Wes Montgomery, he also has ...
Rick Savage Jazz 4tet: Warwick, NY
by David A. Orthmann
Rick Savage Jazz 4tetWarwick, NYAugust 22, 2011 The opening set of trumpeter/flugelhornist Rick Savage's Jazz 4tet was a witty, civilized conversation between longtime colleagues, all of whom had something essential to say and respected one anothers' space. As part of the last day of the second annual Warwick Valley Jazz Festival, the ...
Gonzalo Rubalcaba: Fe...Faith
by Dan McClenaghan
Cuban-born/Miami-based pianist Gonzalo Rubalcaba boasts a discography of some 25 albums, including a dozen discs for the esteemed Blue Note label. Having established star status for himself with numerous Grammy nominations and two wins, Rubalcaba steps out with the first release on his independent 5Passion label, Fe...Faith.Over the course of his career, Rubalcaba has ...
Jake Hertzog: Evolution
by Mark Redlefsen
Evolution is the third solo outing from guitarist Jake Hertzog, Guitar Player Magazine contributor and member of the rock band, The Young Presidents. Although the album appears weighted towards jazz fusion, it is the rock-inflected phrases woven into the music that saves it from running into all-too-familiar jazz guitar footprints. The generational sound of this recording ...
