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Duduka Da Fonseca: Plays Toninho Horta
by Edward Blanco
Guitarist/singer/songwriter Toninho Horta is a living legend, a leading figure of the Brazilian music scene and the focus of Plays Toninho Horta, a well-conceived tribute to a friend and fellow musician from Brazilian drum icon/Grammy nominee, Duduka Da Fonseca. With his featured Rio de Janeiro-based trio of bassist Guto Wirtti and pianist David Feldman, the veteran ...
Neil Cowley Trio: Radio Silence
by Karl Ackermann
In recent years, a number of piano trios have done an admirable job filling the void left by the untimely passing of Esbjörn Svensson and, by consequence, his pioneering trio, e.s.t. The Tingvall Trio, more than most, along with Sebastian Liedke, Marcin Wasilewski and Colin Vallon, have all overseen efforts that encapsulate a similar style and ...
Hendrik Meurkens: Live at Bird's Eye
by Edward Blanco
Considered, by many, to be the most important jazz harmonicist since Toots Thielmans, German-born/New York-based Hendrik Meurkens has long been a connoisseur of Brazilian jazz, with an impressive discography of bossa nova and samba-infused music. Live at Bird's Eye is an assemblage of Brazilian, American and Italian jazz standards recorded live on several sessions from 2008 ...
Duduka Da Fonseca Trio: Plays Toninho Horta
by Dan Bilawsky
A disproportionate number of Brazilian-focused albums centered on one composer's work have been devoted to exploring the music of Antonio Carlos Jobim, but he's hardly the only composer from that locale deserving of the tribute treatment. Countless others have become ambassadors who spread the wonders of Brazil through their music, and nobody is more qualified to ...
Ron Jackson: Flubby Dubby
by Edward Blanco
New York-based urban guitarist Ron Jackson blends his soulful jazz sound with elements of R&B, funk and even a touch of the Caribbean mood on Flubby Dubby, his sixth album as leader. Leading his classic organ trio, also featuring organist Kyle Koeler and drummer Otis Brown III, the album was recorded live at Cecil's Jazz Club ...
NYJAZZ Initiative: Mad About Thad
by Raul d'Gama Rose
Mad About Thad is a superb homage to the man Charles Mingus once called “Bartók with valves." Thad Jones--middle brother of the Pontiac, Michigan dynasty that produced pianist Hank Jones and his younger brother, drummer Elvin Jones--was one of the true unsung geniuses of the trumpet. He was also less frequently recognized as a composer, except ...
Alexis Parsons: Alexis Parsons
by Dan Bilawsky
Chicago-born/New York-bred vocalist Alexis Parsons has often worked with trios, but pares down the instrumental backing for this self-titled release. Alexis Parsons presents eight numbers that pair the singer with piano ace Frank Kimbrough, whose classy, top-shelf accompaniment, combined with Parsons' lovely and occasionally languorous vocals, bring a pleasant, sleepy quality to this music.
Jason Kao Hwang / EDGE: Crossroads Unseen
by Troy Collins
Crossroads Unseen is violinist Jason Kao Hwang's third release with his all-star ensemble, EDGE, following Stories Before Within (Innova, 2007) and its 2006 self-titled debut (Asian Improv). Exploring uncharted territory between chamber music, jazz improvisation and traditional East Asian forms, EDGE boasts some of New York City's finest improvisers, including stalwart contrabassist Ken Filiano, rising cornetist ...
Jason Kao Hwang / EDGE: Crossroads Unseen
by Karl Ackermann
Composer/violinist, Jason Kao Hwang has been firmly establishing his credentials in free jazz since his quartet, EDGE, released its self-titled debut (Asian Improv, 2006). His résumé includes work with genre luminaries William Parker, Anthony Braxton, and Henry Threadgill. There are inevitable comparisons to Billy Bang, with whom Hwang has also played, but the two masters typically ...
Kevin Crabb: Waltz For Dylan
by Dan Bilawsky
Drummer Kevin Crabb's name resonates most in drumming and education circles, but this album is all about his playing and composing. When the Los Angeles-based drummer isn't busy teaching, or espousing the virtues of his former teachers in articles for Modern Drummer magazine or elsewhere, he gets behind the kit and puts his extensive musical knowledge ...
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