Home » Search Center » Results: Jim Eigo, Jazz Promo Services
Results for "Jim Eigo, Jazz Promo Services"
Eli Yamin and Evan Christopher: Louie's Dream: For Our Jazz Heroes
by Dan Bilawsky
Hero worship has long been a magnetic force that helps to draw in the next generation of musicians, yet this very concept is often pooh-poohed by a segment of the musical and artistic community. These people feel that new is always better, and that originality can't thrive if artists acknowledge their forefathers and wear their influences ...
Antonio Adolfo: Finas Misturas (Fine Mixtures)
by C. Michael Bailey
Brazilian pianist/composer Antonio Adolfo has been making important contributions to the Brazilian-Caribbean musical discography for 40-plus years. His most recent recordings--Chora Baiao (Self Produced, 2011), with Adolfo as leader, and La e Ca (AAM Music, 2010), made with daughter, vocalist Carol Saboya--display the results of a careful evolution of jazz through Caribbean and South American music, ...
Maucha Adnet & Helio Alves: Milagre
by Dr. Judith Schlesinger
Many people think Maucha Adnet is the most soulful Brazilian vocalist performing today; certainly her voice is warm, textured, and sexy, and her delivery is passionate, classy, and informed by a keen musical intelligence. (Fellow singers will also appreciate her great diction and pitch, awesome breath control, and masterful way with a triangle). The great Antonio ...
Antonio Adolfo: Finas Misturas
by Dan Bilawsky
Pianist/Composer Antonio Adolfo is a bit of a musical mixologist. Throughout his four-plus decades in the music world, he's often found his way and made his mark by merging jazz language with the sonic sensibilities of his native Brazil; now, this very idea serves as a thematic umbrella that hangs over Finas Misturas. ...
Al Thompson,Jr.: City Mainstream
by Edward Blanco
Known for favoring bebop as well as jazz standards from the Great American Song Book, Bridgeport, Connecticut-based jazz pianist/composer Al Thompson Jr. delivers his first album as leader presenting a set of nine original straight ahead compositions recorded with a combination of groups from a quintet to a light ensemble--all nicely packaged on City Mainstream. Don't ...
Steve Slagle: Evensong
by Dan Bilawsky
Saxophonist Steve Slagle is a consummate leader often pegged as a sideman; with a résumé that includes stints with big band legends like Woody Herman and Lionel Hampton, left-of-center trailblazers like pianist Carla Bley, Latin giants like Ray Barretto and modern day marvels like tenor saxophonist Joe Lovano, it's easy to see why some people may ...
Maucha Adnet & Helio Alves: Milagre
by Dan Bilawsky
Vocalist Maucha Adnet and pianist Helio Alves have been collaborating in various settings for two decades, but Milagre marks their first full-length recording as a twosome. Adnet, who's best known for her decade-long tenure with the great Antonio Carlos Jobim, and Alves, a first call pianist who's worked with everyone from saxophonist Joe Henderson to cellist ...
North America Jazz Alliance: The Montreal Sessions
by Edward Blanco
The North America Jazz Alliance brings together two American and four Canadian musicians to perform the music heard in the nightclubs of the 60s and 70s on The Montreal Sessions. Producer Peter Maxymych further wanted to focus on the accordion-led bands of the era of which, the most famous was that of the late Art Van ...
Beata Pater: Red
by C. Michael Bailey
Polish vocalist/composer/violinist Beata Pater, as of late in San Francisco, releases Red, the third recording in her colors" series following Black (B&B, 2006) and Blue (B&B, 2011). She specializes in the no-lyrics singing that is related to, but not exactly the same as scat singing. Much of this is present on Red where, an expressive and ...
North America Jazz Alliance: The Montreal Sessions
by Dan Bilawsky
A producer's wish to recapture the sound of an accordion legend's band set the ball in motion for this recording. Producer Peter Maxymych wanted to recreate a sound that was heard in clubs and other venues in the 1960s and '70s." Maxymych goes on to note that accordion was the lead instrument in those groups and ...



