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4

Article: Album Review

Rob Derke & the NYJAZZ Quartet: Blue Divide

Read "Blue Divide" reviewed by J Hunter


The name “NYJAZZ Quartet" does beg the question, “What is New York Jazz?" Even narrowing the definition to “home grown" music doesn't help, since that range runs from the mainstream sounds of Birdland and the Blue Note to the next-level avant-garde associated with Smalls and the late lamented Knitting Factory. With Blue Divide, saxman Rob Derke ...

4

Article: Album Review

Rob Derke & The NYJAZZ Quartet: Blue Divide

Read "Blue Divide" reviewed by Dan Bilawsky


Saxophonist Rob Derke--the man behind the jazz-promoting nonprofit known as the NYJAZZ Initiative--significantly widened his reach with Mad About Thad (Jazzheads, 2011). That album, a finely sculpted tribute to the great trumpeter-composer Thad Jones, helped to shine a light on Derke's organization and brought more deserved attention to the music of a dearly departed legend. Now, ...

3

Article: Album Review

Jane Ira Bloom: Sixteen Sunsets

Read "Sixteen Sunsets" reviewed by Hrayr Attarian


Soprano saxophone virtuoso Jane Ira Bloom's intensely intimate and simultaneously cinematic Sixteen Sunsets is quite different from her preceding albums, Like Silver, Like Song (Artistshare, 2005), Mental Weather (Outline, 2008) and Wingwalker (Outline, 2010). Gone are the edgy flirtations with freer styles as well as the provocative, electrifying compositions. Instead the material is mostly standards and ...

6

Article: Album Review

Jane Ira Bloom: Sixteen Sunsets

Read "Sixteen Sunsets" reviewed by Dan McClenaghan


Sidney Bechet pioneered the use of the soprano saxophone in jazz in the early 20s. John Coltrane brought that “straight horn" out of a relative dormancy of use in 1959 with his anthem-like take on Rodgers and Hammerstein's “My Favorite Things" on his Atlantic Records album of the same name. Steve Lacy took the soprano “out ...

7

Article: Album Review

Rich Rosenthal: Falling Up

Read "Falling Up" reviewed by Glenn Astarita


At a young age, New York-based guitarist Rich Rosenthal guitarist, was weaned on the cutting-edge sounds of Steve Lacy, Sun Ra, the Art Ensemble of Chicago and other iconoclasts, broadening the jazz vernacular. With a lack of family support for becoming a career musician, Rosenthal needed to work through some inner-conflicts, while subsequently completing a jazz ...

5

Article: Album Review

Greg Lewis: Organ Monk: American Standard

Read "Organ Monk: American Standard" reviewed by C. Michael Bailey


Dan Bilawsky was mightily impressed with Greg Lewis' two previous Organ Monk offerings, Two in the Black (Self Produced, 2012) and Organ Monk (Self Produced, 2010), where he notes the challenges to non-piano surveys of Thelonious Monk's canon. Greatly in absence is the element of Monk's percussive pianism. But Bilawsky notes that Lewis compensates for this ...

4

Article: Album Review

Craig Yaremko Organ Trio: CYO3

Read "CYO3" reviewed by Dan Bilawsky


When saxophonist Craig Yaremko was in college at the New School, one of his mentors--the esteemed Jane Ira Bloom--heard him playing with an organ group. Right then and there she said, “Craig, your sound was made to play with an organ trio." Now, more than a decade later, Yaremko is proving her right. ...

5

Article: Album Review

Chris Biesterfeldt: Urban Mandolin

Read "Urban Mandolin" reviewed by C. Michael Bailey


Bluegrass instruments like the mandolin, banjo, and fiddle have long been associated genres outside of the high lonesome. This instrumentation has also permeated the jazz and classical worlds as evidenced by the lifetimes of David Grisman, Chris Thile, Bela Fleck, Vassar Clements, Joe Venuti, Bob Wills and on and on. Mandolinist Chris Biesterfeldt places himself in ...

3

Article: Album Review

Eddie Daniels & Roger Kellaway: Duke at the Roadhouse: Live in Santa Fe

Read "Duke at the Roadhouse: Live in Santa Fe" reviewed by Hrayr Attarian


For their third collaboration on IPO records, veteran musicians pianist Roger Kellaway and multireed player Eddie Daniels recorded a benefit concert for “Santa Fe Center for Therapeutic Riding." The resulting Duke at the Roadhouse: Live in Santa Fe is a tribute to pianist and composer Duke Ellington comprising eight of his standards and an original a ...

4

Article: Album Review

Phill Fest: Projeto B.F.C.

Read "Projeto B.F.C." reviewed by Edward Blanco


Living in the South Florida area for over a decade now, guitarist Phill Fest rolls out a recording of Brazilian-style modern jazz dedicated to the strong ties that make Florida and Brazil so special to the development of his personal and professional musical career. Projeto B.F.C. (Project Brazil-Florida Connection) celebrates the proud Fest family tradition in ...


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