Results for "Jesper Lundgaard"

Jesper Lundgaard

Born: June 12, 1954

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Born 1954 in Hilleroed, Denmark.
Started to play bass at the age of 16.
Studied music at Aarhus University from 1976, and played at the local jazzclub Tagskaegget with many American jazz-greats, e.g Roy Eldridge, Harry Sweets Edison, Eddie Lockjaw Davis, Doug and Jimmy Raney.

In 1978 was with the Thad Jones Mel Lewis Orchestra doing a 3 months Europe tour.

In 1979 moved to Copenhagen, played at the jazz clubs of La Fontaine, Slukefter, and Montmartre.

Has performed with Benny Carter, Teddy Wilson, Tommy Flanagan, Stanley Turrentine, Joe Henderson, Chet Baker, Duke Jordan, Michel Petrucciani, John Scofield, just to mention a few.

Has played as a member of the Thad Jones Eclipse, The Radio Jazz Group, the Ernie Wilkins Almost Big Band, the Bob Rockwell Quartet, and the Bent Jaedig Quartet

Doug Raney: Meeting the Tenors

June 1, 2021

In April 1983, guitarist Doug Raney, son of guitar great Jimmy Raney and a stunning player in his own right, assembled quite a sextet at the studios of Criss Cross Records in the Netherlands. Joining Raney were two tiger tenor saxophonists—Dutch player Ferdinand Povel and Swedish hornman Bernt Rosengren, who doubled on flute. In the rhythm ...

Mette Juul: Finding the Musical Sanctuary of Change

by Jakob Baekgaard
January 31, 2020

Since she released her debut Coming in from the Dark in 2010, Danish jazz singer and songwriter, Mette Juul, has been on a path of discovery that has seen her in collaborations with many prominent musicians, including drummers Alex Riel and Rodney Green, bassist Jesper Lundgaard and trailblazing trumpeter Ambrose Akinmusire. Her latest albums Change (2019) ...

2016

By Jesper Lundgaard

Label: Storyville Records
Released: 2016
Track listing: K.B. Blues; Walking In Circles; The Meeting; The Meaning Of The Blues; Three Birds In Paris; Doug; Stafet; Vals Fra Nørrebro; Naima; Waltz For K.

Jesper Lundgaard Trio: 2016

by Chris Mosey
November 13, 2016

Danish bassist Jesper Lundgaard likens the making of the latest album with his trio to cooking a successful meal: “Eight new songs, two standards, sax, bass, guitar, three microphones, the recording machine, 12 hours playing, 12 hours mixing, 12 hours design stuff, 12 hours practical stuff, four weeks of waiting, everything stirred thoroughly." ...

60 Out Of Shape

By Jesper Lundgaard

Label: Storyville Records
Released: 2015
Track listing: Autumn Leaves; All The Things You Are; I Can’t Get Started; My Funny Valentine; Medley: What Is This Thing Called Love, Everything I Love, Round Midnight; Oleo.

Jesper Lundgaard, featuring Enrico Pieranunzi & Alex Riel: 60 Out Of Shape

by Chris Mosey
September 10, 2015

Back in the glory days the Copenhagen jazz club Montmartre was known as “The Village Vanguard of Europe." In the 1960s some of the biggest names in the music played there: Ben Webster, Dexter Gordon, Stan Getz... the list goes on. And on: Roland Kirk, Sonny Rollins, Cannonball Adderley, Bill Evans, Charles Mingus, ...

A New Danish Bassist on Top: Introducing Morten Haxholm

by Jakob Baekgaard
July 15, 2015

There is little doubt that Denmark has a proud tradition of fostering exceptional bassists -just think of names like Niels-Henning Ørsted Pedersen, Jesper Lundgaard, Bo Stief, Jesper Bodilsen and, more recently, Anders Christensen, Jonas Westergaard and Richard Andersson. Add Morten Haxholm to this ever growing list. Haxholm has been ambitious from the start. ...

Vinterjazz Copenhagen: Carsten Dahl Trio w/ Reuben Rogers and Greg Hutchinson at Jazzhus Montmartre

by Henning Bolte
March 13, 2014

Carsten Dahl Trio w/ Reuben Rogers Vinterjazz 2014 Jazzhus Montmartre Copenhagen, Denmark February 20-21, 2014 Vinterjazz Vinterjazz has the same setup as the Jazzfestival Copenhagen in the summer. It is spread over the whole city but on a smaller scale. During the ten days in February ...

The Jazz Coin: Scott Hamilton & John Escreet

by C. Michael Bailey
September 23, 2013

Twenty-first century jazz has a greater breadth and depth than any time previously. Granularity in jazz genre has become so reduced that genre designations are almost meaningless. In jazz, we are approaching a time when jazz will no longer be “jazz" but music in the most liberal sense of the word. But, until that time, we ...