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Results for "Jelly Roll Morton"
Jazz Comes to Records (1917)
by Russell Perry
This is the first in a series of programs that will play representative music from 100 years of jazz history. We will explore the broad sweep of that narrative; its representative and its idiosyncratic players; its durable movements and dead ends; its popular recordings and rarities. We hope you will join us over the next 100 ...
October Birthday Salutes
by Marc Cohn
Towards the end of every month, we celebrate the birthdays of famous and not so famous jazz musicians, physically or spiritually living. This month we feature Art Blakey and Thelonious Monk. Art's centennial is in 2019; so consider this as a warm-up. In addition, we are able to celebrate Horace Tapscott in style because we have ...
Jazz Musician of the Day: Jelly Roll Morton
All About Jazz is celebrating Jelly Roll Morton's birthday today! The city of New Orleans has the distinction of being the ‘birthplace of jazz’ so its appropriate that in New Orleans in or around 1885 to 1890 would be born the self-proclaimed “inventor of jazz”. Ferdinand Joseph Lemott (Lamothe) and his story is one of mystery, ...
Octobop: Live @ Savanna Jazz
by Jack Bowers
Having recorded half a dozen creditable albums in studio settings, saxophonist Geoff Roach's central California-based ensemble Octobop has added something new and exciting on No. 7--a hip and enthusiastic audience. Live @ Savanna Jazz was recorded in January 2018 at the nightspot which bears that name in San Carlos, CA. “I've always thought the band was ...
Charlie Porter: Charlie Porter
by Hrayr Attarian
Trumpeter and composer Charlie Porter exhibits his innovative spirit and his brilliant musicianship on his self-titled debut as a leader. Working with a rotating cast of Portland (Oregon) area musicians, Porter performs ten of his originals and one cover with a refreshingly unique style and captivating spontaneity. Similar in concept to tenor saxophonist Benny ...
Wodgi
by Duncan Heining
Trumpeter Dave Holdsworth has graced a number of key jazz recordings over the years, notably with Mike Westbrook, Barry Guy and Tony Oxley. At the same time, he recorded rather less than many of his peers from that important period in British jazz in the late '60s/early '70s. Instead of the vagaries of a career in ...
SFJAZZ: Decades After, Five Years In
by Arthur R George
Five years after the San Francisco, California organization SFJAZZ created its own building, the SFJAZZ Center, it has proved a raving, even rampaging, success, unrelenting in programming, sales, education, and music production. Its number of concerts has doubled from 248 to more than 500. Its membership has increased by almost 200% to more than 14,000. It ...
Blue Highways and Sweet Music: The Territory Bands, Part I
by Karl Ackermann
Part 1 | Part 2 OriginsBy the second half of the 1920s, New York had supplanted Chicago as the center of jazz. The “Jazz Age"--a label incorrectly ascribed to F. Scott Fitzgerald--could rationally have been framed as the “Dance Age." Prohibition, and the speakeasies that it spawned, were packed with wildly enthusiastic patrons of ...
Bekken and Gjems: Spell
by Jim Worsley
Dr. Bekken's last record, Live At Bar Moskus (Blue Mood, 2017), was nominated for a Norwegian Grammy (the Spellemannprisen). That was a hard-driving solo, boogie-woogie upright piano performance. For Spell, the good doctor writes a new prescription for traditional Norwegian folk infused with New Orleans style jazz. Harmonicist Richard Gjems is co-featured. Bekken and ...
African-American Music: A retrospective at Jazz at Lincoln Center
by Nick Catalano
One of Jazz at Lincoln Center's most thoughtful concert ideas in recent memory came to life at the Appel Room on March 2, 2018. Dubbed “Rags, Strides & Habaneras" the intimate program managed to survey a host of strategic forms from origins in West Africa that shaped the art of music in the Americas.
