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5

Article: Album Review

Rick Braun: Around The Horn

Read "Around The Horn" reviewed by Jeff Winbush


There's only so many ways you can go in jazz with the trumpet. Straight ahead and then a sharp left turn into more experimental improvisation paging (Miles Davis), a technically proficient if somewhat rigid traditionalist (Wynton Marsalis) or become a tasty, if unmemorable ingredient in the smooth jazz gumbo (Chuck Mangione). These are the ...

3

Article: Album Review

Jeff Lorber Fusion: Prototype

Read "Prototype" reviewed by Jeff Winbush


Fusion. Is there a dirtier word to the refined ears of the jazz connoisseur? For them the sound of their sacred music mashed up with low-brow rock or common R n' B rhythms must be as harsh and annoying as sharpened nails dragging across a blackboard. Well, suck it up, buttercups, because Prototype is ...

5

Article: Album Review

Lindsey Webster: Back To Your Heart

Read "Back To Your Heart" reviewed by Jeff Winbush


Jazz requires a certain degree of commitment. It's not a genre that gets featured during any of the award shows. Jazz artists don't get to have microphone or wardrobe malfunctions during New Year's Eve progams on live television. Jazz songs don't show up on video games and has largely vanished from film. Even movies which purport ...

2

Article: Album Review

Brian Simpson: Persuasion

Read "Persuasion" reviewed by Jeff Winbush


There's jazz that is edgy, startling, daring, confrontational and demands attention be paid. It grabs you by the ears and pulls you close and won't let go. Then there's a kinda/sorta jazz where all the edges have been sanded off, there's no chances taken, no unexpected or startling moments, and nothing is ever at risk. If ...

4

Article: Album Review

Peter White: Groovin'

Read "Groovin'" reviewed by Jeff Winbush


Some musicians simply have an affinity for certain genres. Peter White, having assumed the crown from George Benson has established himself as the gold standard for smooth jazz guitarists and this means he now has the freedom to do whatever he wants. What White wants to do with Groovin' is demonstrate how deft a touch he ...

6

Article: Album Review

Ashleigh Smith: Sunkissed

Read "Sunkissed" reviewed by Jeff Winbush


Summer 2016 was hot, sticky and not a lot of fun. Many big name Hollywood blockbusters tanked. The presidential election has been a long slog. Television ratings for the Summer Olympics were off and every time you turned on the TV there were plenty of reasons to turn it back off. Then along came ...

3

Article: Album Review

Keiko Matsui: Journey To The Heart

Read "Journey To The Heart" reviewed by Jeff Winbush


Out of pain comes growth and in 2007, Keiko Matsui, emerged from a divorce, record label troubles, and embraced her new singularity by striking out in a bold new direction as she traveled to South Africa, paired up with trumpeter Hugh Masakela and the results gave birth to the adventurous Moyo, one of the brightest and ...

1

Article: Album Review

Kim Waters: Rhythm and Romance

Read "Rhythm and Romance" reviewed by Jeff Winbush


If you're open to accepting a musician who's converted his comfort zone to a comfort home, you're ready Kim Waters' Rhythm and Romance, which isn't half bad as long as your expectations are modest. Having racked up 26 years as neither the best nor the worst of mellow and soulful smooth jazz sax slingers ...

9

Article: Reassessing

Black Market

Read "Black Market" reviewed by Jeff Winbush


As Weather Report returned to the studio to cut their next album the band was yet again in flux. Gone from 1975's Tale Spinnin' line up were percussionist Alyrio Lima and drummer Ndugu Leon Chancler. Zawinul explained the latest comings-and-goings in a 1976 interview, “We're always happy with the group, because if we're not ...

17

Article: Album Review

Hiromi: Spark

Read "Spark" reviewed by Jeff Winbush


There are three reasons why some people will not enjoy Spark, the fourth album from the Trio Project featuring Hiromi Uehara, the Japanese-born pianist and composer and drummer Simon Phillips and bassist Anthony Jackson:1. It's too complex. 2. It rocks too hard to be jazz. 3. It's long (72 minutes).None of these ...


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