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Results for "Jeff "Tain" Watts"
Take Five With Braxton Cook
by AAJ Staff
Meet Braxton Cook: As a young emerging saxophonist, Braxton Cook has already garnered several honors and accolades. While in high school, he had been honored to be one of 30 other high school musicians selected from a nationwide competition to participate in the 2009 Grammy Jazz ensemble, held during the same week as the Grammy ...
Jeff "Tain" Watts Family Reunion Band at the Jazz Standard
by Tomas Pena
Jeff “Tain" Watts Family Reunion Band Jazz Standard New York, NY January 23, 2014 Sigmund Freud would have had a field day with Jeff “Tain" Watts' compositions. Case in point: “The Devil's Ringtone," where Watts conjures up an imaginary conversation between Satan and a corrupt politician. The tune features ...
Travis Sullivan's Björkestra: I Go Humble
by Dan Bilawsky
Björk isn't a member of the jazz community, but the jazz community has had no problem embracing her. Musicians as different as vocalist Kate McGarry and drummer Jeff “Tain" Watts have explored the eclectic Icelandic singer's work and put their own stamp on her intoxicating music, but they each left her catalog after a single-song visit. ...
Joe Manis: Killin'!
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...
BoB: a Palindrome
by Chris M. Slawecki
The roll call of great bass players from Detroit includes Ron Carter, Paul Chambers and Doug Watkins. Robert Hurst, another Motor City musician, has for the past several years made a compelling case for his name on that list.Hurst picked up the bass at age 14 and was soon performing with Detroit trumpeter Marcus ...
Fusion Groovin’
by Chris M. Slawecki
Analog Players Society Hurricane Season in Brooklyn Studio Brooklyn 2012 Hurricane Season in Brooklyn marks the debut of the Analog Players Society (APS), an extension of the lifelong pursuit of the groove by the percussionist, engineer and producer known as Amon, who first discovered Turkish, West African and Middle Eastern music ...
Robert Hurst: BoB: a Palindrome
by Steve Bryant
Detroiter Robert Hurst has been considered one of the best bassists to come out of the Jazz Renaissance of the '80s. His melodicism, technique, and harmonic acumen positioned him as a first- string bass man. Trumpeter Wynton Marsalis made him his bottom man for the better part of the '80s, and as part of saxophonist Branford ...
Chris Massey & The NJP: Whosoever
by Dan Bilawsky
Drummer Chris Massey's debut--Vibrainium (Self Produced, 2011)--was an Art Blakey-influenced quintet date that put a modern slant on the hard bop tradition; this follow-up follows the same guidelines, but puts a greater emphasis on the modern. Massey tips his cap to those who came before him by including an always-in-style standard ("Old Devil ...
Half Note Records: Live from the Blue Note
by Bob Kenselaar
Jeff Levenson has been at the helm of Half Note Records since 2002, just a few years after it got off the ground. Through a combination of his leadership and vision and the great artistry of the musicians represented in its catalog--including McCoy Tyner, Elvin Jones, Lee Konitz and many others--the label has clearly made its ...
John Beasley: Everyone Loves John
by Scott Mitchell
Keyboardist John Beasley (aka “The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...
