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Christian Pabst
Born:
German pianist and (film-) composer Christian Pabst is a true storyteller.
While being deeply rooted and connected to the greats of jazz, Christian has an original, strong and genre transcending voice as a pianist and composer. Finding inspiration not only in the arts but also in travelling and everyday life, his radiant music is very visual and inspires your imagination. “I want to create music that speaks to the heart and the mind alike” says the pianist.
Growing up in a small German village close to the French border, Christian always listened as a kid to his brother playing their 1980’s home organ. He also wanted to play music and started to take piano lessons. Later, when he heard the local youth bigband for the first time, he felt instantly connected to jazz and improvisation. His thirst for knowledge and understanding of music led him to study jazz piano and film music at the renowned conservatories of Amsterdam, Paris and Copenhagen. Now, he’s playing concerts all over the world.
The More Things Change…(Or Do They?)
The following post appeared on Rifftides nine years ago this spring. What thoughts does it stimulate in readers now? Have there been significant changes in jazz since 2008? Originally posted on March 4, 2008 Rifftides reader George Finch sent this message in reaction to a ten-year-old article in The Atlantic. There has been so little essential ...
JAZZ
Label: Fortuna Music
Released: 2016
Track listing: żebra żubra #1; cicha kuna #2; taniec wiewióra #3; homo naledi #4; resume (raz
piąty) #5; for alice #6; adelajda #7; baba #8.
Jazz
Label: Jazzwerkstatt Berlin-brandenburg E.v.
Released: 2011
Track listing: Little Birds May Fly; How Far Can You Fly?; Hey Little Bird; And To Where?; Albert & Frank; Only for Dörte.
Boom Box: Jazz
by John Sharpe
Some might think there an element of presumption in titling a CD Jazz, but German saxophonist Thomas Borgmann gets right to the essence in this set by his Boom Box trio, with drummer Willi Kellers and bassist Akira Ando: spontaneous three-way conversations which swing. Borgmann has a back story that takes in iconoclasts such as saxophonists ...
Boom Box: Jazz
by Henry Smith
Free jazz can have some fairly antisocial connotations. Too often, the term raises an undeserved fear in the uninitiated, as freedom can be scary. That hardly necessitates that it lack beauty, lyricism or intimacy, however; it simply means that those traits are arrived at by organic means rather than controlled ones. Few artists ...
Boom Box: Jazz
by Raul d'Gama Rose
Inspired by the spirit of the great reeds and woodwinds player Eric Dolphy, Thomas Borgmann is not the only musician in Europe to become a Dolphy acolyte. Dolphy is, in fact, all but deified across the pond and it is not hard to understand why. In many ways he personifies not only the eternal, fluttering quality ...
Boom Box: Jazz
by John Eyles
Surprises can come in the most unlikely guises and under the least likely names. Jazz is the latest example of that old maxim to never judge a book by its cover. The combination of the group name Boom Box--conjuring up images of hip-hop and oversized ghetto blasters--and a graphic style reminiscent of Peter Brötzmann albums does ...
Ray Barretto: Jazz
by Graham L. Flanagan
Although both of his parents were full-blooded Puerto Ricans, Ray Barretto was as American as they come. Born in Brooklyn, by the age of seven he had already resided in that borough, as well as Spanish Harlem and the Bronx. His biological lineage, combined with the place he was born and raised, gives new meaning to ...
